Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, March 20, 2023

Album review: Sal Mosca - For Lennie Tristano

Sal Mosca (solo piano).

Mosca will be forever associated with Lennie Tristano, who was both his friend and teacher, so it is no surprise that this recording, discovered after his (Mosca's) death in 2007, is dedicated to his mentor.

The Tristano school is very much an esoteric group of musicians who found their own voice even though the prevailing wind came from the almost all-encompassing influence of Charlie Parker. This exclusive clique, all Tristano alumni, included among others Lee Konitz, Warne Marsh, Peter Ind, Arnold Fishkin and Billy Bauer. Mosca recorded or gigged with most of them going back as far as 1949 although this, his first solo recording comes from 1970 (there are also a couple of later tracks from 1997 added - ten years before his death).

Although Tristano's teachings can be felt, Mosca is very much his own man. He's explorative, harmonically adventurous always finding the right inversion to define his individuality. From the later session Bix's In a Mist is treated with respect without sounding dated proving just how harmonically advanced Beiderbecke was in his day and how astute Mosca was to recognise it. It also poses the question as to whether In a Mist had any influence either consciously or unconsciously on Tristano. Mosca's decision to record it all those years later suggest that maybe it had - or perhaps it was Debussy who was the connecting factor between all three.

Getting back to the earlier tracks, they're all demanding of attentive listening. So much going on, blink and you miss it! The  two-handed interplay would have been worthy of JSB had he been born a few hundred years later. 

Available on Fresh Sound Records FSR-CD5067 it is attractively packaged with an informative booklet containing an interview between bassist Don Messina who arranged the recording with the cooperation of the Mosca family and tenor saxist Jimmy Halperin who'd studied with both Lennie and Sal which gives further insight to the recording. 

A tribute, not just to Lennie Tristano but also to Sal Mosca and to remastering engineer Garry Rindfuss and the team who did such an excellent job on transferring the music from the original reel to reel recording. Lance

(1970 tks) Medley 1: You go to my Head/Sweet Georgia Brown; It's the Talk of the Town; All the Things You Are; Prelude to a Kiss; Medley 2: Night and Day/These Foolish Things/That Old Feeling; Sweet and Lovely; (1997 tks) In a Mist; Stella by Starlight 

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