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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16434 (and counting) posts since we started blogging 16 years ago. 314 of them this year alone and, so far, 26 this month (May 9).

From This Moment On ...

May

Sat 11: Jeffrey Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 11: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 11: Milne-Glendinning Band @ Yarm Parish Church. 7:30pm.
Sat 11: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: GoGo Penguin @ Wylam Brewery, Newcastle. 7:00pm (doors). All standing gig.
Sun 12: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. Downstairs. A ‘Jar on the Bar’ gig.
Sun 12: Satin Beige @ Prohibition Bar, Newcastle. 8:00pm. £7.50 + bf. Upstairs. R&B cello & vocals
Sun 12: Fergus McCreadie Trio @ The Glasshouse, Gateshead. 8:00pm. £19.80.
Sun 12: Schmid/Wheatley/Prévost + Signe Emmeluth @ The Globe, Newcastle. 8:00pm. JNE.

Mon 13: Emma Fisk & James Birkett @ Yamaha Music School, Blyth. 1:00pm. £8.00.

Tue 14: ???

Wed 15: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 15: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 15: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 16: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 16: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 16: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Mark Toomey (alto sax); Garry Hadfield (keys); Ron Smith (bass).

Fri 17: Dave Newton & Dean Stockdale @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 17: Strictly Smokin’ Big Band @ The Fire Station, Sunderland. 7:30pm. Album launch gig featuring Alan Barnes, Bruce Adams & Paul Booth!
Fri 17: Hot Club du Nord @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Monday, March 20, 2023

Album review: Sal Mosca - For Lennie Tristano

Sal Mosca (solo piano).

Mosca will be forever associated with Lennie Tristano, who was both his friend and teacher, so it is no surprise that this recording, discovered after his (Mosca's) death in 2007, is dedicated to his mentor.

The Tristano school is very much an esoteric group of musicians who found their own voice even though the prevailing wind came from the almost all-encompassing influence of Charlie Parker. This exclusive clique, all Tristano alumni, included among others Lee Konitz, Warne Marsh, Peter Ind, Arnold Fishkin and Billy Bauer. Mosca recorded or gigged with most of them going back as far as 1949 although this, his first solo recording comes from 1970 (there are also a couple of later tracks from 1997 added - ten years before his death).

Although Tristano's teachings can be felt, Mosca is very much his own man. He's explorative, harmonically adventurous always finding the right inversion to define his individuality. From the later session Bix's In a Mist is treated with respect without sounding dated proving just how harmonically advanced Beiderbecke was in his day and how astute Mosca was to recognise it. It also poses the question as to whether In a Mist had any influence either consciously or unconsciously on Tristano. Mosca's decision to record it all those years later suggest that maybe it had - or perhaps it was Debussy who was the connecting factor between all three.

Getting back to the earlier tracks, they're all demanding of attentive listening. So much going on, blink and you miss it! The  two-handed interplay would have been worthy of JSB had he been born a few hundred years later. 

Available on Fresh Sound Records FSR-CD5067 it is attractively packaged with an informative booklet containing an interview between bassist Don Messina who arranged the recording with the cooperation of the Mosca family and tenor saxist Jimmy Halperin who'd studied with both Lennie and Sal which gives further insight to the recording. 

A tribute, not just to Lennie Tristano but also to Sal Mosca and to remastering engineer Garry Rindfuss and the team who did such an excellent job on transferring the music from the original reel to reel recording. Lance

(1970 tks) Medley 1: You go to my Head/Sweet Georgia Brown; It's the Talk of the Town; All the Things You Are; Prelude to a Kiss; Medley 2: Night and Day/These Foolish Things/That Old Feeling; Sweet and Lovely; (1997 tks) In a Mist; Stella by Starlight 

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