(© Jeff Pritchard) |
I’ve just been looking at Mike’s web page and he seems to have quite a few dates lined up for March/April so if you live outside the Greater Manchester area and are looking for some modern jazz, Mike will have something for you.
Here at the Railway there was a full house for this Sunday night concert and after mentioning that he was suffering from a sore throat, Mike went straight into a lively version of Bronislaw Kaper’s much played composition On Green Dolphin Street. A good tune to start any gig with before things got onto a Latin groove with Kurt Weill’s Speak Low during which we heard Dan Whieldon play an interesting solo plus strong support from the bass of Ed Harrison and some great drumming from Eryl Roberts.
Mike selected some choice tunes tonight. As well as the ones already mentioned, they included material by Irving Berlin, Stan Sultzmann. Horace Silver, Tubby Hayes, Eddie Harris, and Charles Mingus. Mike informed the audience of the recent death of Tony Coe who many will remember from his work with Humphrey Lyttelton and when he played with the Clarke-Boland Big Band. Mike played one of Tony’s tunes called Blue September which if I remember rightly was also the name of a two-tenor unit that Mike had with Theo Travis the reedsman with Soft Machine.
One number that I thought was a bit different to the others was Cold Duck Time by Eddie Harris which had the band in a funky groove. I never saw Harris live but have seen videos of him that caught my interest and I have one of his instruction books which if you can get through that you can play anything! Mike reminded me of Eric Alexander here as Eric likes to play Harris’ tunes.
There is no jazz on Tues March 21. The next Railway jazz night is Sunday March 26 with Robin Sunflower. Mike Farmer
On Green Dolphin Street; Speak Low; Blue September; I Can’t Give You Anything But Love Baby; How Deep Is The Ocean?;Room 608; Cold Duck Time; If I Were a Bell; The Dog Who Played In The Woods; Off the Wagon; Nostalgia in Times Square.
1 comment :
Thank you, Mike Farmer, for the effort you put into writing these positive and informed reviews. As we all know, jazz needs all the help it can get and writing about it intelligently like this can only sustain and develop interest in the music. Thanks. Mike Hall
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