Recorded 1934 - 1936 they are a glorious example of the music that provided the link between New Orleans/Dixieland and bebop. The big white bands may have been about to kick off the swing era but, up there in Harlem, that was the place where it really was swinging and never more so than on these 25 sides.
Allen had the drive that inspired Lips Page, Roy Eldridge and, ultimately, Dizzy. Apart from his trumpet playing, his vocals - dare I say it? - had the edge on Armstrong's! There's also fine clarinet from, on various tracks, Buster Bailey, tenor from Chu Berry, JC Higginbotham and Dicky Wells on trombones, Hilton Jefferson on alto and many others.
This is the music that inspired Stanley Dance, 20 years later, to dub the genre as mainstream which it truly is.
The two albums were released on 12" vinyl on the long gone Collector's Classic label (CC13/CC46) - well worth hunting down - Lance
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