Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,086 (and counting) posts since we started blogging 18 years ago. 950 of them this year alone and, so far this month (Nov. 7) 20.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Fri 13: Giles Strong Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Giles Strong (guitar); Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 13: Lapwing Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00. Richard Herdman, Nick Bagnell, Paula Whitty.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. CANCELLED! Returns next week (Fri 20th).
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Northern Monkey Brass Band @ Hexham Lantern Parade, Bandstand, Sele, Hexham. 6:00pm. Free.
Fri 13: Sharp Collective @ Dry Water Arts, Amble. 7:00pm.
Fri 13: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 13: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. Tickets: £15.00 (inc. pie & peas

Sat 14: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. £95.00. Day 1/2. SOLD OUT!
Sat 14: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 14: Pete Tanton’s Chet Set @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20 (inc. bf); £11.00 concs (inc. bf).
Sat 14: Red Kites Jazz @ Staiths Café, Gateshead. 7:00pm.
Sat 14: Tweed River Jazz Band @ Tweed Gallery, Berwick. 7:30pm. Free.

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Monday, April 26, 2021

Ten Irish Jazz Musicians from the 1960s and 70s

Like Newcastle in the 1960s and 70s Dublin was full of venues with live music and in particular you could find clubs and bars offering live jazz most nights. As I was a frequent visitor to many of these places my BSH List of 10  is Irish jazz musicians I heard playing live during this period.

Number 1 - Rock Fox (aka Chas Meredith) - trumpet and saxophone

I first heard live jazz as a teenager in our local village hall in Foxrock outside Dublin. It was a mainstream seven-piece group called the Butler Fox Jazz Band and the sound of all the musicians playing together at full volume made an indelible impression on the 50 or so youngsters crammed into the tiny room. One of the leaders, Rock Fox, was an amateur jazz historian who made wonderfully long-winded introductions to each track, particularly those by his favourite composer Duke Ellington, in a rich, mellifluous accent that greatly increased the entertainment value of the session. 

We also liked him because he actually lived locally and because he was a practising solicitor called Chas Meredith. when he started playing professionally he needed a stage name at short notice and took inspiration from our village. No wonder I was drawn to the music as, thanks to Chas Meredith, jazz was embedded in our village’s name from the late 1950s.

As well as his erudite intros, Rock Fox was a very good trumpet and saxophone player and excellent arranger and he and the band were regularly called upon to back visiting British and American jazz stars during visits to Ireland. He famously accommodated Gerry Mulligan in his house for a number of weeks in the early 1970s and took him on an elegantly manic series of gigs around the country.

I saw the band a lot during those early years and caught up with it a few times later on trips back home. Rock Fox was still going strong and playing with different bands at least 40 years after I first heard him and for a long time he had an influential and long running jazz programme on Irish national radio. He is generally recognised as one of the important figures in the development of jazz in Ireland.

About five years ago I had the genuine pleasure of interviewing Rock Fox for a musical project I was working on and after two hours of fascinating but unfinished memories we decided to stop and arrange another time. Unfortunately, he died shortly afterwards and I was never able to complete the interview. This was a real sadness as we had only reached 1952 so I never did get to talk to him in detail about those early sessions that were so important to me.

JC

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