Number 1 - Rock Fox (aka Chas Meredith) - trumpet and saxophone
I first heard live jazz as a teenager in our local village hall in Foxrock outside Dublin. It was a mainstream seven-piece group called the Butler Fox Jazz Band and the sound of all the musicians playing together at full volume made an indelible impression on the 50 or so youngsters crammed into the tiny room. One of the leaders, Rock Fox, was an amateur jazz historian who made wonderfully long-winded introductions to each track, particularly those by his favourite composer Duke Ellington, in a rich, mellifluous accent that greatly increased the entertainment value of the session.
We also
liked him because he actually lived locally and because he was a practising
solicitor called Chas Meredith. when he started playing professionally he
needed a stage name at short notice and took inspiration from our village. No
wonder I was drawn to the music as, thanks to Chas Meredith, jazz was embedded
in our village’s name from the late 1950s.
As well
as his erudite intros, Rock Fox was a very good trumpet and saxophone player
and excellent arranger and he and the band were regularly called upon to back
visiting British and American jazz stars during visits to Ireland. He famously
accommodated Gerry Mulligan in his house for a number of weeks in the early
1970s and took him on an elegantly manic series of gigs around the country.
I saw
the band a lot during those early years and caught up with it a few times later
on trips back home. Rock Fox was still going strong and playing with different
bands at least 40 years after I first heard him and for a long time he had an
influential and long running jazz programme on Irish national radio. He is
generally recognised as one of the important figures in the development of jazz
in Ireland.
About
five years ago I had the genuine pleasure of interviewing Rock Fox for a
musical project I was working on and after two hours of fascinating but
unfinished memories we decided to stop and arrange another time. Unfortunately,
he died shortly afterwards and I was never able to complete the interview. This
was a real sadness as we had only reached 1952 so I never did get to talk to
him in detail about those early sessions that were so important to me.
JC
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