Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18585 (and counting) posts since we started blogging 18 years ago. 449 of them this year alone and, so far this month (May 31) 103

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Hirst.
Tue 02: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 03: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 04: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 04: Postmodern Jukebox @ Glasshouse, Gateshead. 7:30pm.
Thu 04: Webster’s Ragtime Trio @ The Witham, Barnard Castle. 7:30pm. £17.00. Trio from Texas, USA.
Thu 04: King Bees @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Chicago blues excellence!
Thu 04: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 05: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 05: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 05: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 05-Thu 11: FILM: Köln 75 @ Tyneside Cinema, Newcastle. Dir. Ido Fluk. Drama based on the true story of Keith Jarrett’s 1975 concert in Cologne. Screenings TBC.
Fri 05: Pete Tanton & Alan Law @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 05: House of the Black Gardenia: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). House of the Black Gardenia evening performance. Day 1/3.
Fri 05: Strictly Smokin’ Big Band + IKS Big Band @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). £24.00. Big band double bill. IKS Big Band (Germany).
Fri 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Saltburn Community Hall. 7:30pm. £15.00

Sat 06: Struggle Buggy @ Billy Bootleggers, Ouseburn, Newcastle. 3:00pm. Free. Blues.
Sat 06: Teresa Watson Band @ Billy Bootleggers, Ouseburn, Newcastle. 6:00pm. Free. Blues.
Sat 06: Lindsay Hannon: Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm (6:30pm doors). £15.00.
Sat 06: IKS Big Band: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 7:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). IKS Big Band evening performance. Day 2/3.
Sat 06: Tyne Valley Big Band @ Northumbrian Revival, West Benridge Farm, nr. Morpeth NE61 3RZ. 7:30-9:30pm. £21.47 (£2.77. child). 82nd D-Day anniversary event.
Sat 06: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.
Sat 06: FILM: The Magic City: Birmingham According to Sun Ra @ The Star & Shadow Cinema, Newcastle. 9:30pm. £7.00., £5.00. Dir. Guillaume Maupin & Pablo Guarise.

Sun 07: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 07: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Steve Walker (trumpet).
Sun 07: Joe Steels: Celebrating Wes @ Central Bar, Gateshead. 2:00pm. £10.00. Trio: Joe Steels, Mick Shoulder, Abbie Finn.
Sun 07: Sax Choir @ The Globe, Newcastle. 2:00pm. Free. Sun 07: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 07: Eddie Gripper Trio @ Queen’s Hall, Hexham. 3:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.
Sun 07: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 07: Magpies of Swing: Summer Tyne Swing Festival @ Northumbria University Students’ Union, Newcastle. 4:00pm. £130.00; £95.00; £70.00; £50.00. Note: all day dance event (classes & socials). Magpies of Swing afternoon performance. Day 3/3.
Sun 07: Webster’s Ragtime Trio @ The Ship Inn, Low Newton. 7:00pm. £12.50. Trio from Texas, USA.
Sun 07: Salty Dog @ Alnwick Playhouse. 7:00pm. £5.00. Performance in the Studio venue.
Sun 07: Ian Millar & Dominic Spencer @ Riding Mill Village Hall. 7:30pm. £12.00.
Sun 07: Swing Manouche @ The Globe, Newcastle. 8:00pm. Feat. Steve McGarvie (clarinet).

Mon 08: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 08: Dave Bristow Quintet @ Cluny 2, Newcastle. 7:30pm (doors). £22.00., £11.00., £5.50. Bristow (piano); Christian Altehülshorst (trumpet); Félix Hardouin (alto sax); Gabriel Pierre (double bass); Guillaume Prévost (drums).

Monday, April 26, 2021

Ten Irish Jazz Musicians from the 1960s and 70s

Like Newcastle in the 1960s and 70s Dublin was full of venues with live music and in particular you could find clubs and bars offering live jazz most nights. As I was a frequent visitor to many of these places my BSH List of 10  is Irish jazz musicians I heard playing live during this period.

Number 1 - Rock Fox (aka Chas Meredith) - trumpet and saxophone

I first heard live jazz as a teenager in our local village hall in Foxrock outside Dublin. It was a mainstream seven-piece group called the Butler Fox Jazz Band and the sound of all the musicians playing together at full volume made an indelible impression on the 50 or so youngsters crammed into the tiny room. One of the leaders, Rock Fox, was an amateur jazz historian who made wonderfully long-winded introductions to each track, particularly those by his favourite composer Duke Ellington, in a rich, mellifluous accent that greatly increased the entertainment value of the session. 

We also liked him because he actually lived locally and because he was a practising solicitor called Chas Meredith. when he started playing professionally he needed a stage name at short notice and took inspiration from our village. No wonder I was drawn to the music as, thanks to Chas Meredith, jazz was embedded in our village’s name from the late 1950s.

As well as his erudite intros, Rock Fox was a very good trumpet and saxophone player and excellent arranger and he and the band were regularly called upon to back visiting British and American jazz stars during visits to Ireland. He famously accommodated Gerry Mulligan in his house for a number of weeks in the early 1970s and took him on an elegantly manic series of gigs around the country.

I saw the band a lot during those early years and caught up with it a few times later on trips back home. Rock Fox was still going strong and playing with different bands at least 40 years after I first heard him and for a long time he had an influential and long running jazz programme on Irish national radio. He is generally recognised as one of the important figures in the development of jazz in Ireland.

About five years ago I had the genuine pleasure of interviewing Rock Fox for a musical project I was working on and after two hours of fascinating but unfinished memories we decided to stop and arrange another time. Unfortunately, he died shortly afterwards and I was never able to complete the interview. This was a real sadness as we had only reached 1952 so I never did get to talk to him in detail about those early sessions that were so important to me.

JC

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