Album review: Chris Potter Circuits Trio - Sunrise Reprise

Chris Potter (tenor/soprano saxes, clarinets, flutes, sampler/keys); James Francies (piano, keys); Eric Harland (drums)

A slew of terrific sax players have plied their trade on livestreams and recordings in this last strangest year ever. I was curious then, how Chris Potter, widely touted as top titan of the tenor - post Michael Brecker - would sound to my ears after hearing some quite unbelievable playing from both sides of the Atlantic. From Stateside the likes of Wendell, Lovano and Redman as well as our own Trish Clowes, Alec Harper, Vasilis Xenopoulos, Harry Keeble and others.  On the evidence of this Edition Records follow up to his 2019 Circuits trio album, recorded in a short window of freedom in late 2020, I have to say he has a strong claim to top spot!

Potter is renowned for superlative technique and agile invention in warp speed improvisations, both are on show here in a tour de force of five substantial pieces which don’t hold back in dazzle, drive and duration. But while this is clearly Potter’s album, his compositions, structured mostly around his own lead, it is far from a one man show and the trio takes him in a more contemporary and electronic direction than much of his more classical tenor canon.  Harland on drums is a supreme foil for Potter with huge power, versatility and subtlety when called on. Francies is the youngster of the band by two decades, with R ‘n’ B and hip hop in his armoury, and brings swirling bass lines and proggy synths as well as molten lyricism of his own to match Potter.

Southbound opens with an airy and optimistic call laid down: the motif is then worked back and forth, before moving up a gear to stretch out into a weaving and swooping workout alternating between keys and sax driven relentlessly by Harland’s precise wizardry.

Serpentine is indeed a sinuous and funky beast, with another catchy motif stretched and swapped across the beat, and up and down through bewildering and seemingly effortless harmonic trails, culminating in a high energy drums and keyboard workout.

The Peanut comes down from the frenzy with a delightfully spacious and expressive sax and piano duet which builds to an anguished hiatus before resolution revealing Potter’s more spiritual face.

The final and longest number at 24 minutes, Nowhere Now Here/Sunrise Reprise, throws in some flute for variety before embarking on a quite remarkable journey through multiple moods and styles, featuring a drum solo of staggering finesse and musicality. Surely on anyone’s list for track of the year, with power and emotion tempered by precision and subtlety.

Altogether a breathtaking outpouring of remarkable music: in turns muscular and mysterious – a timely reminder that there is great art still in that contradictory phenomenon which is the USA.

Chris K

Try/buy CD,Vinyl LP, Digital here.  Label: Edition Records. Recorded: 19th September 2020 Release date: 14 May 2021