Total Pageviews

Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.

Sat 28: Revolutionaires @ Brandling Villa, South Gosforth, Newcastle. 9:00pm. Rhythm & blues band.

Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Revolutionaires @ Greens, Low Row, Sunderland. 6:00pm. Rhythm & blues band with a horn section (inc. Pete Tanton).
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Friday, April 30, 2021

Ladies Of Midnight Blue Livestreaming From The King's Hall – April 29

(Screenshot by Ken Drew)
Hannabiel Sanders (bass trombone, African and Latin Percussion, mbira); Yilis del Carmen Suriel (African and Latin percussion, mbira) + guests Mariam Rezaei (turntable); Luke Gaul (electric guitar)

This was 30 minutes of exciting music, an unusual fusion of African and Latin sounds, described on the Newcastle University website as music of the African diaspora. Three long pieces which I'd guess were partly improvised, with perhaps a basic structure, directed by musical signals from the participants.


Roll Of Thunder began atmospherically, with a tinkling rhythm and ominous low boom, on a stage decked out with drums of all sizes, a laptop, and Yilis holding a large hollow sphere which seemed to have keys inside, and which I assume is the mbira.


(Screenshot by Ken Drew)
Hannabiel whispers and sings, 'Thunder, hear my cry, old man coming down the line', low-voiced, presumably telling the thunder to go away, though I'm not sure about that, all I know is that it sounded interesting. Forget 'tunes' as such, this is all grooves and rhythms, and the mbira reminding you of lions walking across the Savannah in documentaries.

Next comes Conversations With Percussion And Conch, the title says it all. Yilis on various drums, strong, complex rhythms, with Hannabiel singing/playing a large conch shell, using her hands to control the sound, watching each other for cues and cleverly matching rhythms, Hannabiel now on drums, faster, slower, quieter, sudden stop with a final flourish.


(Screenshot by Ken Drew)
The last piece is listed as King ? Featuring the guests on turntable and guitar. It begins with quiet chirrups from the turntable, slow drumbeats, and faint trombone sounds: guitar fragments appear later and the piece builds to a climax, louder trombone, livelier sounds, vocalisation from somewhere, then a gradual dying of sound, skilfully managed.

(Screenshot by Ken Drew)
It is worth mentioning some biographical details about these talented musicians. Hannabiel and Yilis have played all over the world, promoting everyday activism and ideas of equality. They produce Harambee Pasadia, which is an Afro fusion arts festival with camping for families. Mariam Rezaei is involved in the Fringe of the local Tusk Festival and Luke Gaul is an improvising guitarist who is based in the North East.

This is the final concert in the King's Hall series and the gigs resume again in October.  A very fitting way to end the series on a high.

Ann Alex 

No comments :

Blog Archive