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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Thursday, April 15, 2021

Ten 10" Albums I still play (occasionally). 2: Vic Dickenson Septet Vol. 1

Listening today, nearly 70 years on, it initially, made me wonder what all the fuss was about. Well, I think it was possibly because it was one of the first albums where Stanley Dance came up with the label mainstream as opposed to swing. It may not seem important now but, back then, swing meant big band flag-wavers whereas mainstream drew attention to those musicians caught in between the traditionalists, the big bands and the boppers.

Most of the musicians here had dipped their toes into some, if not all, of the waters.

Braff went on to play with Goodman, Dickenson was ex-Basie, the self-knighted Thompson took his own Basie-take into bopland and, whilst Edmund Hall had no affinity to bop - few clarinetists had - he knew his place and, in that place he reigned supreme. Page, the rock behind Basie's early discs is equally solid here. I don't know too much about guitarist Steve Jordan or drummer Les Erskine but they do the business with the end result being a session that proved that genres only exist as an example of the futility of genres. I'm not going to quote Duke's much used phrase that there are only two kinds of music - you know the rest - but instead to say that there is a lot of music that is worth listening to in between the good and the bad.

Braff is the most interesting, some might say the most obnoxious, of the horns but, irrespective of his, I'm told, abrasive personality he was the most identifiable trumpet player to emerge back in the early 1950s. Nobody sounded like him - and he knew it! 

Dickenson likewise. That growl sound he got told you who was blowing trombone and there was no grounds for error unless you wondered if Kid Ory had taken some lessons from Trummy Young.

Two tracks: Jeepers Creepers and Russian Lullaby. As I said earlier, my first reaction, upon listening again, was, is this what I've built a shrine to for all these years? But, as the music enveloped me, I knew - this was the truth as I heard it back then - maybe it still is ... Lance.

Ruby Braff  (cornet); Vic Dickenson (trombone); Edmund Hall (clarinet)* Sir Charles  Thompson (piano); Steve Jordan (guitar); Walter Page (bass); Les Erskine (drums).

* Inexplicably Hall's name is missing from the front cover!

1 comment :

Miles said...

I have a double CD which has Volumes 1,2,3,4 of the septet, Vols. 3 & 4 substitutes Shad Collins on trumpet and Jo Jones on drums. It is always worth a listen as it is an object lesson on how it should be done.
Miles.

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