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Bebop Spoken There

Orrin Evans: “Now, getting a teaching spot is the new record deal”. (DownBeat, November, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17487 (and counting) posts since we started blogging 16 years ago. 761 of them this year alone and, so far, 66 this month (Oct. 30).

From This Moment On ...

November

Tue 05: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. 12:30pm. £12.00. ‘Guy Fawkes Steak & Ale Pie & Pea Lunch’. To book tel: 0191 237 3697.
Tue 05: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 06: The Horne Section’s Hit Show @ Tyne Theatre, Newcastle. 7:30pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 07: Jazz Appreciation North East/Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘George - named musicians, vocalists & composers (Chisholm, Duke, Lewis, Shearing, Benson, Melly, Gershwin et al)’.
Thu 07: Aki Remally: The Gil Scott-Heron Songbook @ Gosforth Civic Theatre, Newcastle. 7:30pm. Remally (guitar, vocals); Fraser Urquhart (piano); Tom Wilkinson (bass); Max Popp (drums).
Thu 07: Rat Pack Live @ Whitley Bay Playhouse. 7:30pm.
Thu 07: Mo Scott @ The Mill Tavern, Hebburn. 8:30pm. Free.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guest band night with the new Pensacola Boulevard: Josh Bentham (trumpet!); Donna Hewitt (clarinet); Ron Smith (bass); Graham Thompson (keys); Mark Hawkins (drums); Django ZaZou (trombone); Vicky Jackson (vocals).

Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 08: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Joe Steels Trio @ The Pele, Corbridge. 7:00pm.
Fri 08: TC & the Groove Family + Swannek + Knats @ Cobalt Studios, Newcastle. 7:00pm.

Sat 09: Moscow Drug Club @ Hamsterley Village Hall, Co. Durham DL13 3QF. 7:30pm. £15.00.
Sat 09: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free. ‘Swing Jazz Guitar’. A ‘Jar on the Bar’ gig.

Sun 10: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free. A ‘second Sunday in the month’ residency.
Sun 10: Panharmonia @ Central Bar, Gateshead. 2:00pm. £6.00.
Sun 10: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 10: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 10: Jude Murphy, Steve Chambers & Sid White @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 10: Moscow Drug Club @ Lesbury Village Hall, nr. Alnwick NE66 3PP. 7:30pm. £15.00.
Sun 10: SH#RP Collective @ The Globe, Newcastle. 8:00pm.

Tue 12: Matthew Forster Quartet @ Newcastle House Hotel, Rothbury. 7:30pm.
Tue 12: Phil’s Elastic Band @ The Forum, Darlington. 7:30pm. Free, but ticketed, book online.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 04, 2021

Album review: Floating Points (Sam Shepherd), Pharoah Sanders & The London Symphony Orcestra - Promises

Floating Points (keyboards, electronics); Pharoah Sanders (sax) + The London Symphony Orchestra

Before this album came out I hadn’t had cause to wonder if I was unique in all the world by being a fan of both Floating Points and Pharoah Sanders. FP’s 2015 album, Elaenia, was a gem and a thing of beauty. Since that release it turns out that Sam Shepherd, who is Floating Points, had a masterplan to record with Pharoah Sanders and here is the fruition of that ambition.

Promises is a work consisting of nine movements built around a single repeated motif that dominates or retreats as the piece progresses; similarly, at different moments, times, the tenor or the electronics or the strings play the leading parts, or they merge to bring the whole right to the front of the stage.

Promises has been described as an ambient, jazz, electronica, classical crossover, a sort of 21st Century third-stream, what Gill Scott-Heron would have called ‘miscellaneous’. It is more than ambient though; its sparsity, at times, demands attention and it bears repeated listening, offering more on each occasion; whatever you give it, it gives back. I suspect it might explode into the mainstream and become one of those essential middle-class dinner party albums, like Gorecki’s Third, Tubular Bells or Jan Garbarek and the Hilliard Ensemble’s Officium. Maybe it will sell millions and Pharoah Sanders will win the International Breakthrough Artist award at next year’s Brits.

The title, Promises, seems less apt than its cousin, Hope; in part 6, after a crescendo of strings falls away, the motif is repeated in a way suggestive of hope after a crisis. Other sounds seem to come from nature, such as the whale-like call of the cellos in part 7 that combine with pulsing electronics and wailing sax. Belief in Promises and hope lasts until the last part, an epilogue for strings, when (spoiler alert) darker chords suggests that hopes fade and promises are broken. Sanders’ tenor is a bold part of the whole, not an afterthought. There are passages of bold lead playing, the sax to the fore or combining with the other actors, or short sputtering phrases and, at one point, muttered wordless vocals from the man himself.

Impossible to categorise, not as good as The Creator Has a Masterplan (but few things are), an excursion that doesn’t even acknowledge boundaries.

Dave Sayer

Available on Luaka Bop on CD/Digital/Vinyl from all the usual outlets inc. Bandcamp.

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