Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, March 19, 2020

The Plague

(By Lance)

This dreadful situation that we're in - apart from the loss of income to just about everyone involved in music and the arts in general - has opened up a scenario far beyond what was envisaged when the internet first crept into our lives.

Clubs, bars, theatres, festivals are closing with the chances being that some of the smaller venues may never open again. I'm not going to offer suggestions as to how this can be tackled. Obviously (hopefully?) the NHS will be given the resources that this, and previous governments, should have given - an argument to be debated outside of this apolitical site - but, will there be support further on down the line in other fields? Music, grass-level sport, theatre, the support chain, are going to need assistance. The Premier League will survive and, no doubt the Royal Opera House, probably Ronnie Scott's. Will your non-league team, your amateur dramatic group, your local jazz club? 

Apart from all that, the thing that's crossing my mind is how, suddenly, the work from home ethic has taken hold. I'm not sure that it works with, say bus drivers or traffic wardens but, jazzers seem to be catching on to the idea.

Since the pandemic hit the UK, just about all gigs have gone to the wall which means that, for musicians, the baby ain't gonna get new shoes.

However, thanks to YouTube, Skype and the other means of mass communication, you can now experience the gig, or receive one to one tuition, whilst sitting at home. What could be finer than sitting at home with a can, a coffee or a pizza whilst listening to someone you'd have had to bus/drive/taxi to hear ten or more miles away?

Or, if you're someone seeking instruction, you can do it in your own front/bedroom rather than fight the elements getting to an educational establishment.

So maybe Cofid-19 will teach us something and that is to, a) wash your hands after picking your nose or your guitar and, b) that music is so much more when shared in the back room of a pub rather than in the infinitesimal concert hall of cyberspace but, in the meantime, there's always someone online...

Let us hope that, after this pestilence that is upon us passes, we will still have gigs to go to.
Amen.
Lance

1 comment :

NeilC said...

Thanks for your thoughts Lance. I have seen certain musicians already posting solo work as a replacement for playing a gig Chris Martin of Coldplay et al . IF the gigs are not solely played live but left for posterity on You Tube then perhaps we and yourself could provide some insight into any interesting incidences of these musical events as they appear on hear so others who read the blog can also have the opportunity to watch . The blog will still be providing a gig guide but it will be advertising interactive musical events rather than those we would normally attend

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