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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Tue 25: Fred Wesley & the New JB’s @ The Cluny. 7:30pm (doors). £27.50. POSTPONED! New date Wednesday 26 November.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Hannabiell & Midnight Blue @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 27: Michael Littlefield & Scott Taylor @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues duo.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, March 12, 2020

Animal Society @ The Bridge Hotel, Newcastle - March 8

Joe Williamson (guitar); Alan Benzie, Craig McMahon (keys); Gus Stirrat (bass); Graham Costello (drums).
(Review by Thomas Dixon/ Photos courtesy of Ken Drew – a JNE promotion).

Firstly, I’d like to say I can’t stand the typical ‘politely distorted’ fusion guitar tone, but bandleader Joe Williamson’s guitar had plenty of grit to it. Actually, there was nothing polite about the performance at all, just the way I like it!


No doubt due to the mix of genres influencing this group, they have a very modern sound, and although they are still improvising and navigating through chord changes, the aesthetic is completely different to most bands you’ll find on a Jazz club’s programme. Often just when I thought I was locked in with the pattern of the rhythm section, there’d be some ‘Djent’ style fills which would disrupt the tune and help shape the solo sections in unpredictable ways. There was a definite ‘Math Rock’ vibe - lots of shifting time signatures, heavy riffs and filthy half-time breakdowns which, as a reformed metal head myself, I absolutely loved.

Williamson promised us ‘wonderful and unique sounds’ from Craig McMahon, and he definitely delivered. The addition of a second keyboard player fills out the sound of the group and glues it together with a polish that most bands can only achieve by double tracking in studio recordings or by using backing tracks on live performances.

There was a great energy in the room throughout the night, plenty of back and forth between the band and audience, and the last tune of the first set Hieroglyph featured a drum solo from Graham Costello that had the crowd all shouting and cheering, something of a rarity from ‘Jazz’ gigs these days.
Thomas Dixon
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