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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Anth Purdy @ The Links, Blyth. 12:30-1:00pm. Free. ‘Blyth Battery: Blyth Goes to War Weekend’.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Tuesday, March 31, 2020

One Night in Birdland

Fats Navarro (trumpet); Charlie    Parker (alto sax); Bud Powell (piano); Curley Russell (bass); Art Blakey (drums).
  (By David Brownlow)

  In this year of the Centenary of the birth of   Charlie Parker, a chance to look back at a gig       he played when bebop was at its height.

In the bebop era, it was true to say that Bud Powell was not Charlie Parker’s best friend. Furthermore, it was also true that Bud Powell was not Fats Navarro’s best friend either…..Personality clashes, egos, mental health issues and drugs misuse were some of the factors involved in the cut-throat business of the jazz life – putting a band together and keeping it, getting gigs, having a recording contract, going on tour or trying to have any sort of family life were problems to overcome (as now). 

Bird was very astute in his choice of sidemen – he didn’t want to be outplayed on the bandstand. That’s why he employed either a young, faltering Miles Davis, an emerging Kenny Dorham, a brash Red Rodney, or a weak Benny Harris to be the front-line partner in his Quintet. Dizzy Gillespie was already ‘leader’ material himself and wanted his own bands; Fats Navarro, the virtuoso trumpeter was just too good and piano genius Bud Powell was too unreliable because of his personal problems. 

Bud suffered from mental-health issues throughout his life at times undergoing ‘unsuitable’ treatments ie electric shock, or police brutality i.e. the cosh about the head. Recent suggestions have been that Bud may have been suffering from Autism or the personality problem Bipolar Disorder. In today’s world, he would have received more knowledgeable treatment. Nevertheless, Bud was a very difficult person to manage as a musician – not only did he have a chip on his shoulder, he had the whole bag of chips…..! At times, he would goad or provoke other players – he even challenged Tatum, Parker, and Navarro about their playing abilities. As a result, Bird couldn’t have him in his band although he loved his playing and tried to give him bits and pieces of work from time to time.

Bud and Fats also had their ‘moments’ on the bandstand. On one occasion, Navarro, incensed by the pianist’s belligerence, attempted violently to crash his trumpet down onto the hands of Bud at the keyboard to the horror of the audience. Luckily for all concerned, the assault failed, the trumpet caught the wooden frame of the piano and was wrecked – Fats had to borrow a horn from someone else to finish the gig. On another occasion, Fats poured a whole flagon of beer over Bud while on the stage.

Bearing all this background in mind, it’s amazing to believe that an occasion should arise when Bird, Fats and Bud turned up for a jam session eager and ready to play on a Monday night at Birdland, NYC, in October 1950. They joined the ‘house’ rhythm team of Curly Russell on bass and Art Blakey on drums in a ‘one-off’ performance which we’re lucky enough to be able to listen to the extraordinary music played that night. This was through he efforts of a fan, Bill Hersch, who brought his tape-recorder into the venue as requested by Boris Rose, a sound engineer who was known for illegally selling-on tapes and discs to fans and to musicians. Make no mistake, this was to be a “cutting contest” in the tradition of jazz long ago

One track, Ornithology, stands out for its sheer brilliance. After a chaotic Powell intro, Bird takes the first solo (he always took the first solo!) Characteristically forceful, looking for new ideas, he’s not quite at his most fluent best. Navarro steps up next. On this night on the bandstand, he looked a pitiful sight to the shocked audience. Wracked by coughing and with a ghastly pallor to his face, his suit hung in folds around his once ample frame. Tragically, he was suffering from advanced Tuberculosis exacerbated by his heroin habit and he died only days after this gig – how he managed to play as well as he did was an extraordinary feat. Nevertheless, he outplays Parker with fantastic support from the rhythm section, his flights up into the higher register forming part of a typically well-thought-out effort. 

The piano takes up the fight next; Bud, inspired by what just happened, attacked the keyboard as only he could. With sweat dripping down his face, his right leg braced on the floor, features contorted in a grimace, his solo builds. Tension mounts, the crowd respond, Blakey reduces volume but drives relentlessly towards the piano player’s emotional and technical climax, and yes, it is Bud, Bud Powell, who wins this round! !  Frantic ‘fours’ bring the bout to a close.

 Listener alert!

A warning to anyone wishing to listen to this music – the sound fidelity is distinctly lo-fi, harsh with extraneous noise provided by the audience from the on-location recording done on  primitive gear and with subsequent transfer to disc – but very rewarding.
Dave B.                 

1 comment :

Yardbird said...

This is music of unbelievable quality my favourite piece is the astonishing version of The Street Beat to hear the three greatest musicians of their generation together is breathtaking.

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