Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, March 10, 2020

Come this way ma'am!

(By Russell)
The following is based on a true story.

So there we were attempting to gain entry to the US of A through Uncle Sam's pre-clearance facility at Dublin Airport on the pretence of attending a country music festival in Wisconsin. Shoes off, keys, mobiles, all scanned, now to get past US Border Control...

Fingerprints...check, perfunctory questions: Reason for visit? Trying to be  nonchalant, sounding casual: Attending a country music festival in Wisconsin. Did it sound convincing? You're clear to go through, sir. Yeah, the sap bought it! My travelling companion approached the security checkpoint. Same drill, not quite the same result. Fingerprints...Ah, one moment ma'am! Damn, they were onto us! Come this way, ma'am. My companion protested: What's wrong? I'm going to a country music festival. I'm innocent. They weren't buying it. She was looking at a stretch of ten to fifteen in San Quentin.

We were escorted to the US 'Admissibility Review Area'. We waited and waited. US Border Control officers were busy 'interviewing' dodgy looking characters. Come on, you expect me to believe that? A look of concern, or was it terror, was etched across the face of the suspect. But I can explain...They were having none of it: Sure you can, said a sceptical, stoney-faced type. A couple of heavies stood nearby waiting to apply more effective interview 'techniques'. 

My companion was called to the desk. Okay, ma'am. Your prints don't match those on our database. How do you figure that? Stay cool, baby! I...I can't understand it said my companion. Sure, you don't said the stoney-faced one. Things were looking bad. The stoney-faced one went over to whisper something into the ear of the heavies. They looked like specialists in bespoke cement overcoats. Then, out of the blue: You're free to go, ma'am. Enjoy your trip to the US. I sure do love that country music, ma'am!

Perhaps we'll never know why or how we were sent on our way. We exited via a side door. No pictures! (see photo). Little did they know we were heading to a jazz festival! 
Russell

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