Bebop Spoken There

Christian McBride: ''I believe we are living in a historically embarrassing moment in American history.'' - Downbeat December 2025

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18061 (and counting) posts since we started blogging 17 years ago. 1025 of them this year alone and, so far, 39 this month (Dec. 14).

From This Moment On ...

DECEMBER 2025

Fri 19: Fraser Urquhart @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT! .
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free..
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free..
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00..
Fri 19: Castillo Nuevo @ Hotel Gotham, Newcastle. 5:00pm. Free. .
Fri 19: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy..
Fri 19: Paul Skerritt @ Middlesbrough Town Hall. 7:00pm. Skerritt w. backing tapes. .
Fri 19: Giles Strong Quartet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club..
Fri 19: Creakin’ Bones & the Xmas Dinners @ The White Room, Stanley. 7:45pm. £13.01 (inc. bf)..
Fri 19: Mark Toomey Quintet @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 20: Jazz Attack @ The Glasshouse, Gateshead. 11:00am. Free.
Sat 20: Alexia Gardner @ FIKA Art Gallery, Morpeth. 6:30pm. Gardner, Alan Law, Jude Murphy. SOLD OUT!
Sat 20: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free. CANCELLED!
Sat 20: Ray Stubbs R&B All Stars @ Billy Bootleggers, Ouseburn, Newcastle. 7:00pm. Free.
Sat 20: Hoodoo Blues @ The Globe, Newcastle. 7:15pm (doors). £14.25, £11.55. Dance class, social dancing, live music & Xmas Party. Live music from 9:00pm - Ruth Lambert, Giles Strong, Ian Paterson & John Bradford (jazz and blues).
Sat 20: John Pope Quintet @ Blank Studios, Newcastle. 7:30-8:30pm. £7.70 (inc. bf). Album recording session.

Sun 21: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. ‘Xmas Swingalong’. Skerritt w. backing tapes.
Sun 21: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00-5:00pm. Free.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 21: Strictly Smokin’ Big Band @ o2 City Hall, Newcastle. 6:00pm. £35.80., £33.25., £31.00.
Sun 21: The Globe Xmas Party @ The Globe, Newcastle. 7:00pm. Free. Live music.
Sun 21: Tweed River Jazz Band @ The Barrels Ale House, Berwick. 7:30pm. Free.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Paul Skerritt @ Chakh Dhoom, Jesmond, Newcastle. 7:00pm. Indian restaurant. Skerritt w. backing tapes.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:30pm. ‘The A Capella Sessions’. Gardner, Paula Gardner, Alexia Hope Gardner Diamany.
Wed 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:30pm. Skerritt w. backing tapes.

Thu 25: Alexia Gardner @ The Townhouse, Bridge St., Morpeth. 1:30-4:00pm. ‘All About the Bass Sessions’. Alexia Gardner, Paula Gardner, Jude Murphy.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, March 20, 2020

Summertime (Black and) Blues

(By Lance)

Perhaps I should expand on my views regarding Gershwin's Summertime. Don't get me wrong, it's a great song that I loved hearing the first thousand or so times around but it has been covered that many times by that many great musicians and singers that you wonder why it is still being flogged to death.

Billie, Ella and other singers did it justice - they had an inkling of what they were singing about whereas young singers today, fresh out of college, haven't a clue about jumpin' fish or high cotton. Porgy and Bess produced some great songs - including the aforementioned - but, at the end of the day, these were two Jewish guys writing about black slaves. 
An even, socially, worse song is Black and Blue.* The tune, composed by Fats Waller with lyrics by Andy Razaf, is a staple part of most (white) trad bands' repertoire. I cringe with embarrassment when I hear some white guy singing "What did I do to be so black and blue?" Maybe he should look in the mirror!

Perhaps if he'd substituted black and blue with white and red/blue it would have made more sense but no, Black and Blue ain't a song for Caucasian crooners.
Lance
* The first time I heard Black and Blue was hearing Louis singing it with the All-Stars on record at the memorable concert at Boston's Symphony Hall. I was only about 15 at the time but it opened up my eyes to, not only the racial situation in America, but how it existed even closer to home. 

A few years earlier, Peggy, a black girl, lived a couple of doors down from us in Jarrow and she was beautiful and used to sing and dance with us kids when we were playing out in the street. Not every one was happy about her living in the street but, if I'd been ten years older I'd have asked her to marry me!
Peggy where are you?
Lance

8 comments :

Steve T said...

Miles Davis and Gil Evans version cannot be bettered for me. Everybody should watch the Live at Montreux with Quincy Jones; I wept like a baby the first five or six times I saw it.

Anonymous said...

Benson - uptown
Is a cool version... Part of the problem is that people at jams call theses tunes (I. E summertime, Stella, ATTYa etc) just because someone told them to learn these tunes and half they time they don't really know the tunes or have a good reason for playing them.

Anonymous said...

Also Steve, Kenny Garrett is baaaad on that version! As per...

Brian Bennett said...

Sorry to disagree, Lance, but I think every singer/band (regardless of their colour or creed) should sing/perform 'Black and Blue'. The poignant lyrics are a stark reminder to everyone just how difficult life was for black people in the 20’s and 30’s. Whenever we (the VCJ) play it I always prompt the audience to listen carefully to the lyrics and when Fred Thompson or Jim McBriarty sing it you can hear a pin drop.
Yes, it’s a number performed and sang by all the New Orleans/Dixieland bands and the reason for that is, it’s a fab tune with brilliant lyrics - a classic jazz standard in fact.

BLACK and BLUE Fats Waller, Andy Razaf 1929. R - Louis Armstrong ’29
Cold, empty bed, springs hard as lead
Pains in my head, feel like old Ned
What did I do to be so black and blue?

No joys for me, no company
Even the mouse ran from my house
All my life through I've been so black and blue

I'm white inside, it don't help my case
'Cause I can't hide, what is on my face, oh!

I'm so forlorn, life's just a thorn
My heart is torn, why was I born?
What did I do to be so black and blue?

'Cause you're black, folks think you lack
They laugh at you, and scorn you too
What did I do to be so black and blue?

Steve T said...

Disagree's good; we like disagreement.

Lance said...

I agree it's a great tune - what Fats Waller tune isn't? And yes, it's a great lyric - when sung by a black person. Sung by a white person it reminds me of the Black and White Minstrels or Al Jolson blacking up to sing Mammy...

Brian Bennett said...

Over the years I’ve heard BLACK and BLUE performed by many vocalists including local band singers Annie Jenkins, Dave Hedley, Fred Rowe, Jim Ruddick, Colin Aitchison, Maureen Hall, Olive Rudd, etc. and never once did the Black & White Minstrels or Al Jolson pop into my head - how strange!

Anonymous said...

From Ann Alex, I'd never paid too much attention to the lyrics of 'Black and Blue' until this blog discussion. I object mainly to the line 'I'm white inside' which suggests that whiteness is somehow the standard to reach for. Why should that be the case? Black and White are equal.
I suppose the song is trying to say 'we are all the same inside' but it makes a bad job of expressing this. Personally I'd rather not sing this song.

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