For the past seventeen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Total Pageviews
Bebop Spoken There
The Things They Say!
Postage
From This Moment On ...
MARCH 2025.
Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.
Wed 02: Lauren Bush: The Jazz Singer’s Toolkit @ The Pele, Corbridge. 1:00-4:00pm. Vocalist Lauren Bush with pianist Jamil Sheriff presents a jazz singing workshop. £40.00. (inc. evening concert, see below). Registration required for workshop: www.laurenbushjazz.com. All ability levels welcome.
Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Jason Isaacs @ St. James’ STACK, Newcastle. 2:30-4:30pm. Free. Vocalist Isaacs working with backing tapes.
Wed 02: Lauren Bush & Jamil Sheriff @ The Pele, Corbridge. 7:00-9:00pm. £10.00. Concert performance. Tickets: www.laurenbushjazz.com.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED UNTIL FURTHER NOTICE! See website for updates: www.theglobenewcastle.bar.
Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Women in Jazz.
Thu 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 03: New ’58 Jazz Collective @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. First Thursday in the month.
Fri 04: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 04: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 04: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 04: Ruth Lambert Quartet @ Saltburn Community Hall. 7:30pm. £12.00.
Fri 04: Tom McGuire & the Brassholes @ Pilgrim, Newcastle. 7:30pm. £20.00.
Fri 04: Nicolas Meier’s Infinity Group + Spirit of Jeff Beck @ The Forum, Darlington. 7:30pm.
Sat 05: Tenement Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 05: Sleep Suppressor @ Head of Steam, Newcastle. 5:30-6:00pm.
Sat 05: King Bees @ Billy Bootlegger’s, Ouseburn, Newcastle. 6:00pm. Free.
Sat 05: Raymond MacDonald & Jer Reid @ Lubber Fiend, Newcastle. 6:00-9:30pm. £7.72., £1.00. (minimum donation). MacDonald & Reid + Objections + Yotuns.
Sat 05: Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 05: Kamasi Washington @ The Glasshouse, Gateshead. 7:30pm. £33.00.
Sat 05: Vermont Big Band @ The Seahorse, Whitley Bay. 7:30pm. Tickets: £10.00 (from the venue).
Sat 05: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sun 06: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 06: Learning & Participation Showcase @ The Globe, Newcastle. 1:30pm (1:00pm doors). Free. Featuring participants from Play More Jazz! Play More Folk! Blue Jam Singers & more.
Sun 06: Joe Steels Group @ Central Bar, Gateshead. 2:00pm. £10.00. Ferg Kilsby, Joe Steels, Ben Lawrence, Paul Susans, John Hirst.
Sun 06: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 06: Paul Skerritt @ The Hooch, Quayside, Newcastle. 6:00pm.
Sun 06: Leeway @ The Globe, Newcastle. 8:00pm.
Mon 07: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Reviewers wanted
Friday, March 20, 2020
Summertime (Black and) Blues
Blog Archive
-
▼
2020
(
1421
)
-
▼
March
(
108
)
- A Few Thoughts
- Wallace Roney (May 25, 1960 - March 31, 2020)
- Live in our living rooms - direct from NYC
- One Night in Birdland
- CD Review – “Hybrid Harmony”- RJ & The Assignment
- CD Review: Clairdee - A Love Letter to Lena
- Bombay Jazz
- The search goes on...
- Zoë Gilby & Andy Champion Living Room Gig - Wicked...
- CD Review: Chris Mapp - Stillefelt
- CD Review: George Colligan Trio - Live in Arklow
- CD Review: Al Gold – Al Gold’s Paradise
- Helping our Bands and Musicians
- The LOCKDOWN Sessions #1 - Route 66
- Multi-platform jazz
- A Stream of Thought
- The Stream's becoming a river - Enrico Tomasso on ...
- Paul Edis: Lockdown Live! - March 27
- Boo! Beware the Jazz Man!
- RIP Bill Smith (1926 - 2020)
- Paul Edis online
- Alice Sings, James Swings Honeysuckle Rose - duo ...
- Zoë and Andy update
- Jazzlines Free Gigs: Xhosa Cole Quintet Watch Party
- One dissatisfied Novocastrian
- The Dean Stockdale Trio @ The Fox Inn, Hexham - Ma...
- Jo & Jamie are Weathering the Storm
- RIP Manu Dibango
- The Cellar Boys + Miss Jubilee & Her Yas Yas Boys ...
- Remembering Susannah McCorkle
- CD Review: Julian Costello - Connections without b...
- The Cellar Boys + Miss Jubilee & Her Yas Yas Boys ...
- CD Review: Carla Bley, Andy Sheppard, Steve Swallo...
- RIP Mike Longo (1939 - 2020)
- CD Review: Keith Oxman - Two Cigarettes in the Dark
- RIP Jon Christensen (1943 - 2020)
- CD Review: David Berger & The Sultans of Swing - M...
- Jazz Indoors
- CD Review: Byron Wallen - Portrait
- Book Review: Francis Davis - In the Moment, Jazz i...
- CD Review: Oded Tzur - Here Be Dragons
- A Friday Cornucopia @ Bix Fest, Racine, Wisconsin ...
- Pudgy's @ Bix Fest, Racine, Wisconsin - March 12
- Summertime (Black and) Blues
- Paul Edis on YouTube - March 20.
- Paul Edis - Live in London
- More thoughts
- The Plague
- Abigail Pogson, Managing Director, Sage Gateshead ...
- Roly on Steve Winwood
- Customs House Big Band @ Dormans Jazz Club Middles...
- NOMINATIONS ANNOUNCED FOR JAZZ FM AWARDS 2020
- Message from Paul Edis
- Cheltenham Jazz Festival update
- CD Review: Tom Green Septet - Tipping Point
- We're not yet in total lockdown...
- Globe/Jazz Coop - Coronavirus Update
- CD Review: Mad Love – Ish
- THE VIEUX CARRÉ JAZZMEN
- Message from Abigail Pogson, Managing Director Sag...
- Bus Tour to Hell @ Bix Fest, Racine, Wisconsin - M...
- Do You Know What it Means to Miss (the) New Orlean...
- Indigo Jazz Voices cancel
- Gig updates needed urgently
- Finntet @ Blaydon Jazz Club – March 15
- VULA VIEL pull out.
- Jazz Café shut down
- Jazz 'n' Blues at the Art Institute of Chicago
- The polls are now open in the 2020 All Party Parli...
- Strictly Smokin' Big Band @ Flat Caps Café, Newcas...
- Strictly Smokin' Big Band @ Flat Caps Café, Newcas...
- CD Review: Lizzie Thomas – New Sounds From The Jaz...
- Animal Society @ The Bridge Hotel, Newcastle - Mar...
- EP Review: Jonathan Ng - The Sphynx
- Jazz North East present Women Make Music 2020
- Taking the Loop
- Acoustic Infusion @ Dormans Jazz Club Middlesbroug...
- Celebrated London Pianist to Close Popular Jazz Pr...
- Preview: The Dean Stockdale Trio @ Hexham Jazz Clu...
- Going to Chicago
- Jam Session @ the Black Swan Jazz Café - March 10
- CD/LP/Digital Review: Andre Canniere - Ghost Days
- Come this way ma'am!
- NORTHERN JAZZ CLUBS TO TRAIN THE NEXT GENERATION O...
- The State of Song.
- The Tenement Jazz Band @ Prohibition Bar - Mar 8
- CD Review: Ian Shaw - What's New?
- Preview: Today! The Tenement Jazz Band to play Pr...
- CD Review: John Di Martino - Passion Flower
- Michael Littlefield & Dominic Hornsby @ Prohibitio...
- Gateshead Jazz Festival
- RIP McCoy Tyner
- Tonight! Michael is a Lone King Bee!
- Preview: Ojay...from street to gallery!
- Friday 13th strikes....
- Funk: a Musical Revolution. Pee Wee Ellis Band wit...
- BBC Big Band @ The Gala Theatre, Durham - March 4
- An appraisal of George Russell’s Jazz Theory and i...
- Dean Stockdale & Louise Dodds @ Jazz Cafe Mezzanin...
- Great North Big Band Jazz Festival 2020: Youth Sec...
-
▼
March
(
108
)
8 comments :
Miles Davis and Gil Evans version cannot be bettered for me. Everybody should watch the Live at Montreux with Quincy Jones; I wept like a baby the first five or six times I saw it.
Benson - uptown
Is a cool version... Part of the problem is that people at jams call theses tunes (I. E summertime, Stella, ATTYa etc) just because someone told them to learn these tunes and half they time they don't really know the tunes or have a good reason for playing them.
Also Steve, Kenny Garrett is baaaad on that version! As per...
Sorry to disagree, Lance, but I think every singer/band (regardless of their colour or creed) should sing/perform 'Black and Blue'. The poignant lyrics are a stark reminder to everyone just how difficult life was for black people in the 20’s and 30’s. Whenever we (the VCJ) play it I always prompt the audience to listen carefully to the lyrics and when Fred Thompson or Jim McBriarty sing it you can hear a pin drop.
Yes, it’s a number performed and sang by all the New Orleans/Dixieland bands and the reason for that is, it’s a fab tune with brilliant lyrics - a classic jazz standard in fact.
BLACK and BLUE Fats Waller, Andy Razaf 1929. R - Louis Armstrong ’29
Cold, empty bed, springs hard as lead
Pains in my head, feel like old Ned
What did I do to be so black and blue?
No joys for me, no company
Even the mouse ran from my house
All my life through I've been so black and blue
I'm white inside, it don't help my case
'Cause I can't hide, what is on my face, oh!
I'm so forlorn, life's just a thorn
My heart is torn, why was I born?
What did I do to be so black and blue?
'Cause you're black, folks think you lack
They laugh at you, and scorn you too
What did I do to be so black and blue?
Disagree's good; we like disagreement.
I agree it's a great tune - what Fats Waller tune isn't? And yes, it's a great lyric - when sung by a black person. Sung by a white person it reminds me of the Black and White Minstrels or Al Jolson blacking up to sing Mammy...
Over the years I’ve heard BLACK and BLUE performed by many vocalists including local band singers Annie Jenkins, Dave Hedley, Fred Rowe, Jim Ruddick, Colin Aitchison, Maureen Hall, Olive Rudd, etc. and never once did the Black & White Minstrels or Al Jolson pop into my head - how strange!
From Ann Alex, I'd never paid too much attention to the lyrics of 'Black and Blue' until this blog discussion. I object mainly to the line 'I'm white inside' which suggests that whiteness is somehow the standard to reach for. Why should that be the case? Black and White are equal.
I suppose the song is trying to say 'we are all the same inside' but it makes a bad job of expressing this. Personally I'd rather not sing this song.
Post a Comment