Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 25: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 25: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Forgotten Ones & Any Quintets.
Thu 25: Edgar Ho Trio @ Newcastle Arts Centre. 7:30pm. Free. Brilliant alto sax, piano & double bass trio. Unmissable!
Thu 25: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 26: Finn-Keeble Group @ The Gala, Durham. 1:00pm. £9:00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Clark Tracey @ Live Theatre, Newcastle. 7:30pm. Newcastle Jazz Festival. £26.00. Day 1/2.

Sat 27: OUTRI @ Live Theatre, Newcastle. 1:00pm. £13.01. 1:00-1:45pm. Newcastle Jazz Festival. Day 2/2.
Sat 27: House of the Black Gardenia + Magpies of Swing @ The Cumberland Arms, Newcastle. 2:00pm. Free.
Sat 27: Mark Toomey Quartet @ Live Theatre, Newcastle. 2:15-3:15pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Alexia Gardner Quintet @ Live Theatre, Newcastle. 3:45-4:45pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Rory Ingham @ Live Theatre, Newcastle. 5:30-6:30pm. £19.51. Newcastle Jazz Festival. Day 2/2. Ingham w. Dean Stockdale, Ian Paterson, Dave McKeague.
Sat 27: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 27: Laura Jurd @ Live Theatre, Newcastle. 8:00pm. £26.00. Newcastle Jazz Festival. Day 2/2. Sat 27: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

Sun 28: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 28: Tim Kliphuis Trio @ St Mary’s Church, Wooler. 3:00pm. £18.00., £6.00. A Wooler Arts Summer Concerts event. Tim Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: An Evening of Jazz @ St James’ Church, Copper Chare, Morpeth. 7:30pm. Tickets: £10.00 from 01670 788869 or 01670 519923. Mid Northumberland Chorus (MD Robin Forbes, Emma Straughan, piano) w. jazz trio featuring Edgar Ho, Oscar Ho & Dave McKeague & special guest Emily Masser. Performance inc. Bob Chilcott’s A Little Jazz Mass + George Shearing’s Songs & Sonnets.
Sun 28: Led Bib @ The Globe, Newcastle. 8:00pm. £15.00., £12.00. JNE.

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, March 20, 2020

Summertime (Black and) Blues

(By Lance)

Perhaps I should expand on my views regarding Gershwin's Summertime. Don't get me wrong, it's a great song that I loved hearing the first thousand or so times around but it has been covered that many times by that many great musicians and singers that you wonder why it is still being flogged to death.

Billie, Ella and other singers did it justice - they had an inkling of what they were singing about whereas young singers today, fresh out of college, haven't a clue about jumpin' fish or high cotton. Porgy and Bess produced some great songs - including the aforementioned - but, at the end of the day, these were two Jewish guys writing about black slaves. 
An even, socially, worse song is Black and Blue.* The tune, composed by Fats Waller with lyrics by Andy Razaf, is a staple part of most (white) trad bands' repertoire. I cringe with embarrassment when I hear some white guy singing "What did I do to be so black and blue?" Maybe he should look in the mirror!

Perhaps if he'd substituted black and blue with white and red/blue it would have made more sense but no, Black and Blue ain't a song for Caucasian crooners.
Lance
* The first time I heard Black and Blue was hearing Louis singing it with the All-Stars on record at the memorable concert at Boston's Symphony Hall. I was only about 15 at the time but it opened up my eyes to, not only the racial situation in America, but how it existed even closer to home. 

A few years earlier, Peggy, a black girl, lived a couple of doors down from us in Jarrow and she was beautiful and used to sing and dance with us kids when we were playing out in the street. Not every one was happy about her living in the street but, if I'd been ten years older I'd have asked her to marry me!
Peggy where are you?
Lance

8 comments :

Steve T said...

Miles Davis and Gil Evans version cannot be bettered for me. Everybody should watch the Live at Montreux with Quincy Jones; I wept like a baby the first five or six times I saw it.

Anonymous said...

Benson - uptown
Is a cool version... Part of the problem is that people at jams call theses tunes (I. E summertime, Stella, ATTYa etc) just because someone told them to learn these tunes and half they time they don't really know the tunes or have a good reason for playing them.

Anonymous said...

Also Steve, Kenny Garrett is baaaad on that version! As per...

Brian Bennett said...

Sorry to disagree, Lance, but I think every singer/band (regardless of their colour or creed) should sing/perform 'Black and Blue'. The poignant lyrics are a stark reminder to everyone just how difficult life was for black people in the 20’s and 30’s. Whenever we (the VCJ) play it I always prompt the audience to listen carefully to the lyrics and when Fred Thompson or Jim McBriarty sing it you can hear a pin drop.
Yes, it’s a number performed and sang by all the New Orleans/Dixieland bands and the reason for that is, it’s a fab tune with brilliant lyrics - a classic jazz standard in fact.

BLACK and BLUE Fats Waller, Andy Razaf 1929. R - Louis Armstrong ’29
Cold, empty bed, springs hard as lead
Pains in my head, feel like old Ned
What did I do to be so black and blue?

No joys for me, no company
Even the mouse ran from my house
All my life through I've been so black and blue

I'm white inside, it don't help my case
'Cause I can't hide, what is on my face, oh!

I'm so forlorn, life's just a thorn
My heart is torn, why was I born?
What did I do to be so black and blue?

'Cause you're black, folks think you lack
They laugh at you, and scorn you too
What did I do to be so black and blue?

Steve T said...

Disagree's good; we like disagreement.

Lance said...

I agree it's a great tune - what Fats Waller tune isn't? And yes, it's a great lyric - when sung by a black person. Sung by a white person it reminds me of the Black and White Minstrels or Al Jolson blacking up to sing Mammy...

Brian Bennett said...

Over the years I’ve heard BLACK and BLUE performed by many vocalists including local band singers Annie Jenkins, Dave Hedley, Fred Rowe, Jim Ruddick, Colin Aitchison, Maureen Hall, Olive Rudd, etc. and never once did the Black & White Minstrels or Al Jolson pop into my head - how strange!

Anonymous said...

From Ann Alex, I'd never paid too much attention to the lyrics of 'Black and Blue' until this blog discussion. I object mainly to the line 'I'm white inside' which suggests that whiteness is somehow the standard to reach for. Why should that be the case? Black and White are equal.
I suppose the song is trying to say 'we are all the same inside' but it makes a bad job of expressing this. Personally I'd rather not sing this song.

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