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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

January 2025

Wed 01: ???

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, March 20, 2020

Summertime (Black and) Blues

(By Lance)

Perhaps I should expand on my views regarding Gershwin's Summertime. Don't get me wrong, it's a great song that I loved hearing the first thousand or so times around but it has been covered that many times by that many great musicians and singers that you wonder why it is still being flogged to death.

Billie, Ella and other singers did it justice - they had an inkling of what they were singing about whereas young singers today, fresh out of college, haven't a clue about jumpin' fish or high cotton. Porgy and Bess produced some great songs - including the aforementioned - but, at the end of the day, these were two Jewish guys writing about black slaves. 
An even, socially, worse song is Black and Blue.* The tune, composed by Fats Waller with lyrics by Andy Razaf, is a staple part of most (white) trad bands' repertoire. I cringe with embarrassment when I hear some white guy singing "What did I do to be so black and blue?" Maybe he should look in the mirror!

Perhaps if he'd substituted black and blue with white and red/blue it would have made more sense but no, Black and Blue ain't a song for Caucasian crooners.
Lance
* The first time I heard Black and Blue was hearing Louis singing it with the All-Stars on record at the memorable concert at Boston's Symphony Hall. I was only about 15 at the time but it opened up my eyes to, not only the racial situation in America, but how it existed even closer to home. 

A few years earlier, Peggy, a black girl, lived a couple of doors down from us in Jarrow and she was beautiful and used to sing and dance with us kids when we were playing out in the street. Not every one was happy about her living in the street but, if I'd been ten years older I'd have asked her to marry me!
Peggy where are you?
Lance

8 comments :

Steve T said...

Miles Davis and Gil Evans version cannot be bettered for me. Everybody should watch the Live at Montreux with Quincy Jones; I wept like a baby the first five or six times I saw it.

Anonymous said...

Benson - uptown
Is a cool version... Part of the problem is that people at jams call theses tunes (I. E summertime, Stella, ATTYa etc) just because someone told them to learn these tunes and half they time they don't really know the tunes or have a good reason for playing them.

Anonymous said...

Also Steve, Kenny Garrett is baaaad on that version! As per...

Brian Bennett said...

Sorry to disagree, Lance, but I think every singer/band (regardless of their colour or creed) should sing/perform 'Black and Blue'. The poignant lyrics are a stark reminder to everyone just how difficult life was for black people in the 20’s and 30’s. Whenever we (the VCJ) play it I always prompt the audience to listen carefully to the lyrics and when Fred Thompson or Jim McBriarty sing it you can hear a pin drop.
Yes, it’s a number performed and sang by all the New Orleans/Dixieland bands and the reason for that is, it’s a fab tune with brilliant lyrics - a classic jazz standard in fact.

BLACK and BLUE Fats Waller, Andy Razaf 1929. R - Louis Armstrong ’29
Cold, empty bed, springs hard as lead
Pains in my head, feel like old Ned
What did I do to be so black and blue?

No joys for me, no company
Even the mouse ran from my house
All my life through I've been so black and blue

I'm white inside, it don't help my case
'Cause I can't hide, what is on my face, oh!

I'm so forlorn, life's just a thorn
My heart is torn, why was I born?
What did I do to be so black and blue?

'Cause you're black, folks think you lack
They laugh at you, and scorn you too
What did I do to be so black and blue?

Steve T said...

Disagree's good; we like disagreement.

Lance said...

I agree it's a great tune - what Fats Waller tune isn't? And yes, it's a great lyric - when sung by a black person. Sung by a white person it reminds me of the Black and White Minstrels or Al Jolson blacking up to sing Mammy...

Brian Bennett said...

Over the years I’ve heard BLACK and BLUE performed by many vocalists including local band singers Annie Jenkins, Dave Hedley, Fred Rowe, Jim Ruddick, Colin Aitchison, Maureen Hall, Olive Rudd, etc. and never once did the Black & White Minstrels or Al Jolson pop into my head - how strange!

Anonymous said...

From Ann Alex, I'd never paid too much attention to the lyrics of 'Black and Blue' until this blog discussion. I object mainly to the line 'I'm white inside' which suggests that whiteness is somehow the standard to reach for. Why should that be the case? Black and White are equal.
I suppose the song is trying to say 'we are all the same inside' but it makes a bad job of expressing this. Personally I'd rather not sing this song.

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