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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.
Sun 19: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, March 04, 2020

CD Review: Will Vinson - four forty one

(By Lance).

I should have flagged this excellent album from Whirlwind up earlier - all the jazz mags have rated it highly, and justifiably so. My excuse is that I had a problem working out who played what with whom? (sounds like a risque joke!)

In actual fact it's Vinson blowing some superb, occasionally probing, always in today's groove, alto sax with a variety of pianists, bassists and drummers - we'll get to them later.


Vinson, who moved to New York from London in 1999 is one of those players who delivers, and here he does it sublimely, displaying an instant affinity with his assorted sidemen although, in this set up, to call them (the pianists in particular) sidemen is perhaps doing the players less than justice. The pairings work well and each musician brings as much to the pot as the leader  and that, I assure you, is praise indeed.

When I listen to Vinson there is one name that springs to my mind - Phil Woods. I don't mean that he sounds like Woods or even uses his licks but there is an overall feel that the spirit of the late great alto saxophonist was maybe hovering, high above, in the studio.

I'm tempted to call Vinson an original - if anyone is an original any more. So much jazz education is being rolled out across the world (mainly to the privileged few) that the ability to play to a high level is almost taken for granted provided your folks have got the dosh and young Tristan/Isolde have got the ears. Having said that, Will sounds to me like he maybe skipped a few classes to listen to the guys who were doing it in the pubs and the clubs - ground level education.

Whatever, this is alto playing that covers the music from Bird to Ornette without alerting the fire brigade and the RSPCA.

The pianists are equally outstanding - Hersch, Hamasyan, Clayton, Fortner, Rubalcaba - Vinson didn't book any deadwood.

Highly recommended - try/buy.
Lance

Will Vinson (alto sax) + Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch or Gonzalo Rubalcaba (piano); Matt Brewer, Matt Penman, Rick Rosato or Larry Grenadier (bass); Obed Calvaire, Billy Hart, Eric Harland, Clarence Penn or Jochen Rueckert (drums).

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