Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, March 21, 2020

Book Review: Francis Davis - In the Moment, Jazz in the 1980s

(Review by Steve T)

I got interested in this because I wanted to see how it would deal with jazz-funk and smooth jazz. I liked the former, though I think it's as relevant to soul music as jazz, but abandoned it as it descended into the latter.

Unsurprisingly, it's all but ignored but, on the odd occasion it gets a mention, it suffers the derision. The following is typical: "(violinist John) Blake served as MD for pop-jazz saxophonist Grover Washington Jr. for five years in the mid seventies, a lucrative gig".

The book is broken down into twenty six essays and articles, mostly on specific artists and are largely as interesting as their subject.

The chapter on Wynton and Branford Marsalis is interesting because, at the time of writing, Wynton was the leading jazz musician of his generation, which isn't how most people perceive him now. 

Reading about Roscoe Shelton, I realised I'd never heard anything by the Art Ensemble of Chicago, who played the London Jazz Festival last year. Now rectified, they're like a cross between Sun Ra and the original Mothers, whom they were contemporary with. 

Arthur Blythe was someone I came at from the wrong end. The first time I heard of him was on the latent jazz-funk scene, and the album Put Sunshine In It whereupon the book refers to him as 'a victim of critical backlash, and in 1985, he finally caved into pressure and recorded a blatantly commercial album.    

John Lewis reminds me of my late father-in-law yelling MJQ at me, as a badge of intelligence and taste to line up with classical music, SinAtra and marching/big bands. Not to my taste and I wasn't tempted though I certainly found the chapter interesting.

Ran Blake was new to me and I await an album winging its way from Japan.

And the final chapter is of course Miles Davis, but Miles from the eighties, where nobody thought this was one of his great eras, but people still cared whether the latest album was better than the one before. As the title of the book says, it's in the moment.

With other chapters on David Murray, Sonny Rollins, Ornette Coleman, Don Cherry and George Russell, it's perhaps not a classic, but is fascinating at times.     
Steve T.

Francis Davis - In the Moment, Jazz in the 1980s. Diane Publishing Co. (1996). ISBN: 9780756792190

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