Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 21: Jazz Classics with Rivkala @ The Black Swan, Newcastle. 7:30pm. Free. Rivkala (vocals); Alan Law (piano); Paul Grainger (double bass).
Thu 21: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Monday, June 10, 2019

What I Did at Durham City Jazz Festival (DJazz) - Saturday, June 8


(Review by Ann Alex/photos by Russell)

'Get scribing' was what Steve Tulip said to me as he kindly gave me a lift back to Durham station on Saturday evening. Russell and I had already decided what we'd cover and I'd guess that Steve will put in his tuppence which may be more like five shillings!  Anyway, it falls to my lot to begin with The Nu-Bossa Band, of whom I caught the last few songs at 3pm, a delayed finish in the DJazz Bar.

They are father-daughter duo Inês and José Gonçalves (vocals, keys. guitar); Ben Fitzgerald (percussion); Thomas Dixon (tenor sax). They bring us Latin and Afro-Cuban music composed by the likes of Antonio Carlos Jobim, new wave music which was originally a reaction to samba. This was a good way to becalm yourself after the excitement of Aku (see Russell's piece). Inês sang sweetly sad songs such as If You Never Come To Me and Dindi in Portuguese, and the hand drums were noticeably interesting, very rhythmically flowing and relaxing.

Over to the Pop-Up venue to hear Jelly Cleaver (pictured above) on vocals, guitar and electronic effects. Ms Cleaver is a Durham University graduate who is a producer and singer/songwriter, with jazz, contemporary folk, and punk influences. She gave us wide-ranging material, such as  Afro Blue; Lullaby Of Birdland; God Bless the Child; I Want To Dance With Somebody; That's Alright (gospel); Like A Star (from Corinne Baillie Rae); Ain't No Mountain Higher. Her original songs included one about the Windrush scandal with spoken samples. Not all jazz, and she explained that she normally does jazz with a quintet, so this lessened the effectiveness of these numbers. The set was generally enjoyable, although I thought that she mentioned the release of her latest album, The Dream Jazz Manifesto a few times too many.

Next in the DJazz Bar came Soul of St Funkbert, where I heard my favourite female voice of the day. This was Sophia Atkinson, who sang along with Zach Fox (Sax); David Bullock (guitar); Danny Booth (keys); Michael Young (drums); Isaac Merchant (bass); Ben Bucknall (percussion). Ms Atkinson's vice was a pleasing alto which was just about right for the funk/soul material. Funk has a place in jazz festivals I reckon because you get jazz-like solos between the verses of songs. The band members are all from Durham University and I didn't catch the names of some of the tunes but I believe one tune was In Man's Hands, followed by the classic I Wish I Knew How It Would Feel To Be Free and the set was rounded off with Never Can Say Goodbye.

Russell has covered Moses Boyd Exodus but I can't resist some comments, though really words are not an adequate way to describe music at all, but we do our best, otherwise there'd be no such thing as music blogs. The band made a very impressive beginning, rumbling drums, breathing sax, pulseless sound, until a guitar tune arose up. In other numbers, there were unusual sounds from the box on top of the keyboard, DJ like business, and diverse influences were obvious, from jazz, electronic music, African chants. They played with such enthusiasm that there was sweat on the trombonist's face. They said how pleased they were to be performing in Redhills, a community space.

The band which delighted me most was, however, the first one I heard which was Aku. We must have them downstairs at the Globe and also at the Black Swan. I couldn't believe what I was hearing, loud wonderfully raucous tenor sax, then he picked up a baritone and did the same but more so! Mr Sax, who invented the saxophone, must be turning in his grave, not what he meant at all! During one of the tunes, I noted that the trombone played the same riff throughout the whole piece, which is really difficult. (I know because I once had to sing the same riff whilst in a choir and it's almost impossible to keep consistency). 'Driving rhythms and furious improvisation' said the programme notes, an apt description. I laughed when they said it was good to see the audience enjoying themselves, not like in Edinburgh. The band are from Glasgow. Enough said.

Thanks again to the lovely co-operative people on steward duty. A great festival!
Ann Alex

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