Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Wednesday, August 08, 2018

Zakir Hussain, Dave Holland & Chris Potter @ Edinburgh Assembly Hall - July 22

(Review by Steve T).
One of my favourite musicians in the world, one of a diminishing number of jazz musicians who can unequivocally claim the status of living legend, and one of the hottest sax players on the planet.
Tabla, bass and sax: a dream set up for me, and I've just missed them at least three times in the past couple of years.
The first time I saw Zakir Hussain, he and John McLaughlin put Shakti back together, to mark the fiftieth anniversary of the partition of India and Pakistan. He's one of the few musicians who can hold his own and, on that showing, trump the guitar colossus. Two decades on, his technique is undiminished, but he's gained in stature and charisma.
This was the third time I'd seen Chris Potter: with Pat Metheny’s Unity Band/Group and his own quartet, so I was well aware that he was perfectly capable of standing with giants.
I'd never seen Dave Holland, though I've heard countless albums he's played on, including a number of major classics. He's the finest exponent I've ever heard to hold down the traditional bass function while simultaneously stepping way beyond that role.

A few seriously restricted viewing seats short of a sell-out, the anticipation was palpable and nobody left disappointed.
They shared the announcements: pieces from each of them, some written for each other, one by Hussain for McLaughlin, Hussain and Holland, the latter two both referred to as maestro during the set.
But titles of individual stretches of music and who wrote them wasn't the point; this was three master musicians, hanging together brilliantly and displaying dazzling levels of inventiveness and virtuosity.
I don't think anybody could have been disappointed when the lights came on, but the three returned to the stage for what I'm convinced was a genuinely unscheduled and unplanned encore; the only time I can remember a band returning and playing another after the lights had come on.
Gig of the year, any year. 
Steve T.

2 comments :

Hugh said...

Great review, Steve. Sounds like a gig not to be missed! The only one of the musicians I've had the privilege to see live is Dave Holland. Your description is spot-on. Cool (but with a small "c") and understated, but with great presence. I remember his bass as not being quite the traditional instrument, but having a slightly "cut-down" appearance.

Russell said...

I concur with Hugh's comments. One of Steve T's better reviews...that's a compliment, Steve!

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