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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15080 (and counting) posts since we started blogging 15 years ago. 99 of them this year alone and, so far, 99 this month (Jan. 30).

From This Moment On ...

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Josh Bentham (tenor sax); Donna Hewwitt (alto sax); Adrian Beadnell (bass).

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: Struggle Buggy @ Prohibiton Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Saturday, August 25, 2018

Nicola Farnon Trio & Early Bird Big Band @ Ushaw, Durham - August 24

Nicola Farnon (vocals/bass); Paul Edis (piano); Phil Johnson (drums)
(Review by Lance).
Headlining day one of Ushaw Jazz Festival 2018, and, because of an imminent power cut, the trio gave a stunning, albeit abbreviated, performance in the august setting of the historic building's Exhibition Hall.
To refer to Ms. Farnon as someone who sings and plays the double bass simultaneously is to do the artist a disservice unless you add that she does both things brilliantly and seamlessly.
A choice selection of GASbook gems plus one of her own compositions had the audience enraptured. All the usual suspects were represented: Gershwin, Porter, Berlin, Duke (V); Duke (E); Rodgers and Hart - particularly Rodgers and Hart. For me, the song of the evening in an evening full of super songs, was the Broadway duo's You Are Too Beautiful. Like Nicola Farnon, I too have loved this song since hearing Johnny Hartman do it with John Coltrane. That is the benchmark and, in its own way, so is Nicola's version. Sung with a delicate, almost ethereal quality, it was as if she was singing to you alone - or so we all thought until we got home and looked in the mirror - such was the emotional impact of her rendition.
Apart from the voice, her bass playing was well up to scratch and her inter-song patter both amusing and informative.
On drums, Phil Johnson did the business exploding when explosions were called for particularly when exchanging fours with Nicola during scat choruses. The pair work well together and by adding the ubiquitous Paul Edis you have a trio - and boy what a trio!

Earlier, Paul had helped to move chairs to accommodate more people in the Francis Thompson Room where he led and played alto with the Early Bird Big Band - more about that shortly. Being the prime organiser of the festival, the news of the impending power cut or 'outage' as the bright sparks ('sparks' get it?) called it might have detracted a lesser person from the business in hand. Not Paul, he played his customary blinder, a fact that didn't go unnoticed by either Nicola or the audience.
A truly magical evening.
Lance.
That Old Devil Moon; Day in, Day Out; The Summer Wind; Taking a Chance on Love; A Foggy Day; The More I See You; This Can't Be Love; It's Just Got To Be That Way (original); Just in Time; You'd Be So Nice to Come Home to; One Note Samba; You Are Too Beautiful; Don't Get Around Much Anymore: Cheek to Cheek.
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Early Bird Big Band: Paul Edis (MD, alto); Haaruun Miller (alto, soprano); Alex Thompson (tenor); Megan Robinson (flute); Ryan de Silva (baritone); Andrew Hedges (trombone); James Metcalf, Graham Hardy (trumpets); Ben Lawrence (piano); Matthew Downey (guitar); Alex Shipsey (bass guitar); Dylan Thompson (drums).
Six O'Clock and the third Ushaw Jazz Festival was underway. Maestro Edis, as Nicola Farnon was to refer to him later, announced that apart from himself and guest trumpet player Graham Hardy all of the band were 18 or under and, not only that but four of them were also composers of very demanding scores - don't they grow up fast these days!

James Metcalf provided Lincoln's Lament, Alex Thompson chipped in with In a Distant Dream, flautist Megan asked Where's it All Leading? and Ben Lawrence gave us the picturesque titled Soft Hazel, inspired, I was told by some hazelnut painted walls!.
In a band of this nature it would be unfair to single out individual soloists - they all soled bar one so I'll mention him.

On drums, Dylan Thompson proved his worth by handling the different rhythms and time signatures thrown at him with the ease of a seasoned professional. Having heard him in different settings I know what an accomplished soloist he is and a couple of choruses on the 12 bar finale would have told the audience just that.
Nevertheless, it was an enlightening set and an eyeopener to anyone hearing these young musicians for the first time.
Lance.
Photos.

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