Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, August 26, 2018

Fever: Jo Harrop sings Peggy Lee @ Ushaw, Durham - August 25.

Jo Harrop (vocals); Tony Kofi (alto); Alex Webb (piano); Andy Champion (bass); Russ Morgan (drums).
(Review by Lance)
After Nicola Farnon's storming set on Friday night the question on everyone's lips last night was, would Jo Harrop be able to follow that?
With a little help from Tony Kofi, Alex Webb, Andy Champion, Russ Morgan and, of course, Peggy Lee, Jo Harrop certainly did 'follow that'!
The packed Exhibition Hall responded enthusiastically to local girl made good Jo's interpretation of some numbers associated with Peggy Lee plus a couple of compositions by pianist/composer Webb.
However, unlike most of the 'Rat Pack' tributes going around, this was no mere pastiche but a successful reworking of the Lee originals tailormade to suit Jo Harrop's own individual style.
From the opening Why Don't You Do Right? it was a voyage of delight helped along by some blistering alto solos from 'special guest' Kofi.
It's a Good Day; Confessin'; He's a Tramp; a pitch-perfect All Too Soon; voice and drums trading 4's on Just One of Those Things; a bass and voice duo on Bye Bye Blackbird; the first of Webb's originals - It's Not the End - and, to finish the first set, a sizzling Blues in the Night with Kofi blowing the blues as if he'd spent all day 'riding the rods' from Natchez to Mobile.
Interval time - I'm driving so I stay away from the bar and chat with Alex Webb, One of the black notes on the grand isn't working but it doesn't seem to faze him. "I've played on worse pianos," he says wrily.
The drinkers return and Baby It's Your Move, another Webb original that I'm sure Peg would have sung if she'd still been with us starts us off once more. The inevitable Black Coffee with some great exchanges between singer and sax. Get Out of Town - Cole Porter has certainly been well represented at this festival; I'm a Fool to Want You; Love me or Leave me; Two For the Road; I Love Being Here With You (with references to South Shields and 'The Toon' to prove it); Lover; voice and bass magic on Fever and then, and then, and then...
The Folks Who Live on the Hill. Whenever I play the Peggy Lee version a shiver runs down my spine when I hear that first Someday.... That same shiver was there when Jo gently mouthed that first word.
I drove home on a high.
Lance
More Ushaw photos.

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