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Bebop Spoken There

Marcella Puppini (in concert with the Puppini Sisters at Sunderland Fire Station, November 27, 2024): ''We've never played there, but we've looked it up, and it looks amazing.''. (The Northern Echo, November 21, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17523 (and counting) posts since we started blogging 16 years ago. 797 of them this year alone and, so far, 35 this month (Nov. 10).

From This Moment On ...

November

Fri 22: Vieux Carré Jazzmen @ The White Swan, Ovingham. 12:30-3:30pm. Line-up: Chris Perrin (clarinet, tenor sax); Phil Rutherford (sousaphone); David Gray (trombone, trumpet, vocals); Brian Bennett (banjo). To book a table tel: 01661 833188.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 22: Dilutey Juice @ Independent, Sunderland. 7:30pm. £10.00. + £1.00. bf.
Fri 22: Archipelago @ Poprecs, High St. West, Sunderland. 7:00pm. £10.00. Multi-bill, Archipelago on stage 8:00pm. A Boundaries Festival event.
Fri 22: Groovetrain @ Hoochie Coochie, Newcastle. £15.00. + bf. 8:45pm (7:30pm doors).

Sat 23: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sat 23: Durham Alumni Big Band @ Number One Bar, Skinnergate, Darlington. 11:00am-12:30pm. Free (donations, fill up the bucket!).
Sat 23: Washboard Resonators @ Claypath Deli, Durham. 7:00pm. £12.00.
Sat 23: Paul Skerritt Big Band @ Westovian Theatre, South Shields. 7:30pm.

Sun 24: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sun 24: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 24: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Skerritt (solo) performing with backing tapes.
Sun 24: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 24: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 24: Washboard Resonators @ Georgian Theatre, Stockton. 3:00pm. £8.00.
Sun 24: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 24: Groovetrain @ Hoochie Coochie, Newcastle. £15.00. + bf. 5:15pm (4:00pm doors). SOLD OUT!
Sun 24: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 24: Greg Abate w. Dean Stockdale Trio @ The Globe. 8:00pm.
Sun 24: Lighthouse Trio @ The Glasshouse, Gateshead. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.

Tue 26: Alexia Gardner Quintet @ The Black Swan, Newcastle. 7:30pm (7:00pm doors). £12.00.; £10.00. advance.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 27: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free. Vocalist Isaacs working with backing tapes.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 27: Puppini Sisters @ The Fire Station, Sunderland. 7:30pm.
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 27, 2018

In Other Words & BABA @ Ushaw, Durham - August 26

(Review by Russell)
Offering performance opportunities to young musicians has become an integral part of the Ushaw Jazz Festival. This year's three day event opened on Friday evening with the Early Bird Big Band, Saturday afternoon featured the hothouse duo of Francis Tulip and Matt MacKellar (Birmingham and Berklee students, respectively) alongside the Whitley Bay keyboard wizard Joel Brown, and, on a lazy Sunday afternoon in the Francis Thompson Room, two bands (seven musicians, average age seemingly not much more than seventeen and three quarters!) were intent on making a big impression. 
A short set, all of thirty minutes, meant there was no time to waste for the three young musicians calling themselves In Other Words.

In Other Words: Alex Thompson (alto sax, clarinet); Nathan Lawson (guitar); Dylan Thompson (drums)
Straight ahead jazz is what In Other Words are all about. Autumn LeavesA Foggy Day in London TownLi'l Darlin' and the trio's signature tune, yes, you've got it, Fly Me to the Moon

Alex Thompson plays alto saxophone and clarinet - the former determinedly, the latter leisurely, both effectively. The young man positioned in the middle of the Thompsons (drummer Dylan is brother to Alex), left-hander Nathan Lawson,  plays a beautiful black Gretsch guitar. A fine player is Nathan, playing with or without a plectrum, the influence of Dr James Birkett all too evident. The trio's arrangements impressed and Dylan Thompson's expert use of brushes belied his tender years. DT has just left school and college beckons...watch out music world! Similarly, Alex will soon be off to university and a chair in a student big band surely awaits. 

Nathan's considered intro to Goodbye Pork Pie Hat set up Alex to unleash an impassioned, bluesy alto solo. Perhaps the tune of the set, but wait, their closing number ...I Got Rhythm with Dylan's hi-hat working overtime as he brushed at a lick and Alex's swift execution ideas, not shy about throwing in a quote or two - The Flintstones, for one - and Nathan on the case just about topped it. A most enjoyable set.
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BABA: Thomas Dixon (alto sax, tenor sax); Ben Lawrence (piano); Adam Cornell (bass guitar); Dylan Thompson (drums)
Thomas Dixon co-leads BABA. The name roughly translates to 'spit' and it's a fair bet that alto saxophonist Dixon felt like doing it - spitting, that is - as a certain low-cost airline cancelled flights across Europe resulting in co-leader Inês Gonçalves being stranded in Portugal. What to do...find a piano dep or play as a piano-less trio? A potential dep happened to be at Ushaw and, with little time to get to grips with the all-original material, Ben Lawrence agreed to play the piano parts.

Dixon on tenor sax suggested the set's untitled opening number, written by the absent Gonçalves, could be called The Ryanair Debacle. A structured piece with space to improvise, Dixon led the way and didn't hesitate in giving the nod to the depping Lawrence who set about the material as if a long time member of the quartet. 

Binker and Moses and other high profile names are said to be influences on BABA and the intriguingly titled Origami Grandma incorporated elements of the drum 'n' bass, or rather the drum (Moses) and tenor sax (Binker) sound currently in vogue with Dixon on alto swooping in and out of swingtime sections. 

Dixon's clapped intro set up the band on Mouthwashing - drummer Dylan Thompson brandishing mallets with rock steady bassist Adam Cornell at his side.  Dixon has been busy writing material with some crazy time signatures and in introducing Moon Drunk suggested he and his bandmates could well be seen mumbling to themselves such was the level of concentration required. And concentrate they did! Drummer Thompson set up and maintained a complex rhythm as short-notice dep Ben Lawrence somehow or other produced a fully formed solo. 

BABA concluded the afternoon's entertainment in the Francis Thompson Room with Inciting Incident but not before Dixon thanked Paul Edis for giving the band the opportunity to perform at this, the third Ushaw Jazz Festival. All original material, some of it premiere material, keep an eye out for BABA.    
Russell.   
Ushaw photos.     

1 comment :

Lance said...

What Russell failed to mention was that Tom Dixon was playing on a borrowed alto. A very fine alto indeed but, as saxophonists, motorists and womanisers will affirm - each one is different and it takes time to find the comfort zone.
On alto, Tom found that comfort zone fairly quickly...

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