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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 29, 2018

CD Review: Samuel Martinelli - Crossing Paths

Samuel Martinelli (drums); Claudio Roditi (trumpet/flugel); Tomoko Ohno (piano); Marcus McLaurine (bass).
(Review by Lance).
An unexpected gem that almost got overlooked.
I'm pleased it didn't.
A delightful album reminiscent of Miles in the post-Parker/pre-electronic years when he was as sweet and as mellow as any of his contemporaries.
Roditi too has that quality. The tone and the ideas are from the same school - cool but not without warmth.
Ohno is as good as any pianist east or west of the sun and comps effectively behind the trumpet. Roditi knows he can fly and that Ohno will catch him if he falls. As for Ohmo, no safety net needed - sound in support and, in her solos, inventive and as creative as any of her peers.
Leader Martinelli is a powerhouse in a Brazillian sort of way. Don't run away folks, it's not yet another bossa-nova album. A lot of people think that Brazillian music begins and ends with the bossa-nova. Martinelli proves otherwise. Although the South American influence is there it blends so seamlessly with the overall modern jazz feel that, apart from the leader's solos, I didn't think of it as a Latin album just a very listenable, and swingy modern quartet.
Local fans might draw comparisions with Pete Tanton's Riviera Jazz Quartet and the similarities, despite the different instrumentation, are there. A compliment to both bands.
Lance. 
On general release and available from the usual outlets.

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