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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Tue 30: Celebrate with Newcastle Jazz Co-op. 5:30-7:00pm. Free.
Tue 30: Swing Manouche @ Newcastle House Hotel, Rothbury. 7:30pm. A Coquetdale Jazz event.
Tue 30: Clark Tracey Quintet @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.

May

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: The Eight Words - A Jazz Suite @ Newcastle Cathedral, St Nicholas Square, Newcastle NE1 1PF. Tel: 0191 232 1939. 7:30pm. £20.00. (£17.00. student/under 18). Tim Boniface Quartet & Malcolm Guite (poet). Jazz & poetry: The Eight Words (St John Passion).
Thu 02: Funky Drummer @ The Globe, Newcastle. 8:00pm. Free.
Thu 02: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Wednesday, August 08, 2018

Zakir Hussain, Dave Holland & Chris Potter @ Edinburgh Assembly Hall - July 22

(Review by Steve T).
One of my favourite musicians in the world, one of a diminishing number of jazz musicians who can unequivocally claim the status of living legend, and one of the hottest sax players on the planet.
Tabla, bass and sax: a dream set up for me, and I've just missed them at least three times in the past couple of years.
The first time I saw Zakir Hussain, he and John McLaughlin put Shakti back together, to mark the fiftieth anniversary of the partition of India and Pakistan. He's one of the few musicians who can hold his own and, on that showing, trump the guitar colossus. Two decades on, his technique is undiminished, but he's gained in stature and charisma.
This was the third time I'd seen Chris Potter: with Pat Metheny’s Unity Band/Group and his own quartet, so I was well aware that he was perfectly capable of standing with giants.
I'd never seen Dave Holland, though I've heard countless albums he's played on, including a number of major classics. He's the finest exponent I've ever heard to hold down the traditional bass function while simultaneously stepping way beyond that role.

A few seriously restricted viewing seats short of a sell-out, the anticipation was palpable and nobody left disappointed.
They shared the announcements: pieces from each of them, some written for each other, one by Hussain for McLaughlin, Hussain and Holland, the latter two both referred to as maestro during the set.
But titles of individual stretches of music and who wrote them wasn't the point; this was three master musicians, hanging together brilliantly and displaying dazzling levels of inventiveness and virtuosity.
I don't think anybody could have been disappointed when the lights came on, but the three returned to the stage for what I'm convinced was a genuinely unscheduled and unplanned encore; the only time I can remember a band returning and playing another after the lights had come on.
Gig of the year, any year. 
Steve T.

2 comments :

Hugh said...

Great review, Steve. Sounds like a gig not to be missed! The only one of the musicians I've had the privilege to see live is Dave Holland. Your description is spot-on. Cool (but with a small "c") and understated, but with great presence. I remember his bass as not being quite the traditional instrument, but having a slightly "cut-down" appearance.

Russell said...

I concur with Hugh's comments. One of Steve T's better reviews...that's a compliment, Steve!

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