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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, August 09, 2018

Jam Session @ The Dun Cow, Jesmond - August 8

Francis Tulip (guitar); Deon Krishnan (bass guitars/vocal); Matt MacKellar (drums) + James Metcalf (flugel); Miriam McCormick (vocal); Alex Thompson (alto).
(Review by Lance).
Remember last weekend? The start of the football season and Sunderland were level with Charlton Athletic and Middlesbrough were 2 down against Millwall. We're in the dying minutes and what happens? The Cats grab a last-minute winner and The Smoggies pull back two for an unlikely draw!
So what's all this got to do with jazz?
Well, after last night's fantastic jam at the Caff there was no jam in the world going to follow that even though some of the same musicians were involved.
It had all been swinging along smoothly, maybe a little bland at times, and it looked like a goalless draw was on the cards and then, once again in the dying minutes, up jumps Deon and gives us a vocal version of Chick Corea's Spain whilst playing unison lines on the 5 string of his two bass guitars (the other was a 6 stringer). 3 points in the bag.
We thought it was all over - it was now!
The football analogy is not so far removed as Deon told me he once played a function gig at the Stadium of Light and Steve Bruce, Sunderland's hundred and third manager of that particular week, mistook Deon for centre-back Paolo da Silva - and, in truth, they do look quite similar.
Prior to this, the guys had played tastefully, supported Metcalf on You Stepped Out of a Dream and Stella by Starlight; backed Miriam on Don't Explain and No Moon at All and provided the backdrop for Alex on Nica's Dream.
A good crowd but, whereas at the Jazz Café they can be too noisy, here they are too quiet. Sacrilege I know but I always think that, in an intimate setting, too much rapt attention causes the experienced player to play safe and the novice to falter nervously whereas if it's a boisterous crowd the player will go for broke knowing that a fluffed note won't be headlines in BSH the next day!
----- 
Talking of BSH, I attended the funeral of Clive Gray along with some fellow jazzers linked to Clive's banjo-playing past. I was surprised and very proud, even humbled, that my short obituary posted after Dave Kerr had told me of his death was read out by the Humanist lady who was conducting the ceremony.
Rest In Peace.
Lance.

4 comments :

Jude Murphy (on F/b). said...

Wish these were any night but a Wednesday. We missed Deon doing Spain!!!

Steve T said...

As a non musician who doesn't really like jam sessions, or for that matter, singers in Jazz (sans Sinatra(sic)(if you think of him as Jazz) and the local ladies (nice recovery?), I really enjoyed it.
More like a gig with guests, it was great to hear Francis and Mathew in more relaxed mode, playing straight stuff straight.
Roberta Flacks Feel Like Makin Love, as interpreted by Benson, was a nice addition.

Lance said...

Sinatra? Jazz? well er yes er maybe er sometimes er... Early days, no. Latter days, no. In between? most definitely yes. Like Billie Holiday, Sinatra didn't have to scat to stamp his individuality on a tune. They both did it by timbre, timing and phrasing. Try singing along with either of them on a tune you think you know well. After 4 bars you discover that you didn't really know the tune at all - a fraction of a beat behind or ahead - they give the song a new dimension that even the composer/lyricist hadn't foreseen. You can sing along with Ella, her jazz chops were in the scatting whereas with Frank and Billie it was the way they transformed the wordsmith's rhymes into some of the greatest romantic poetry ever written.

Steve T said...

My own view is that Sinatra was a pop star, but at a time when pop music was based on Jazz, before it was based on rock and roll, which made him the greatest pop star of the century, and it's hard to think of any peers. He towered over the century the way the rock and roll based Beatles towered over sixties pop. The Capital albums, in particular, are amongst the great achievements in music. Sadly, he suffers the same fate as jazz, whereby most people don't feel the need to listen to more than Kind of Blue, most don't get past Songs for Swinging Lovers.

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