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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 08, 2018

Jazz Café Jam Session - August 7

(Review by Lance).
23 musicians, maybe more, 'jammed' into 3 hours of sheer delight. They came, they blew, they plucked, they sang, they paradiddled, they conquered.
New faces, old faces, both in the audience and in the performance area - I doubt if anyone was disappointed apart from those at the back of the sitters-in queue who maybe arrived too late and didn't make the cut.
Veteran trombonist Neville Hartley made his Jazz Caff debut and proved he could hold his own with the young Turks with some fine playing. Jordan Alfonso left his alto at home and, instead, dazzled on a dazzling tenor - a recent acquisition I wonder? 
Harry Keeble blew tenor like as though JC was still with us. Likewise Paul Gowland on soprano. Keeble wore shorts. The last Keeble I saw wearing shorts played for NUFC back in the day when they used to win things. This Keeble also looks to win things musically. David Gray too wore shorts, shorts that were almost as eye-catching as his trombone playing was ear-catching. 
Newcomer Mehraram had a brief stint on piano playing a tune I know but cannot for the life of me recall the title.
Hardy and Metcalf added their own brand of fire to the brass whilst Tulip and Williams gave us a glimpse of guitar heaven.
For once,  Paul Grainger had an easier shift with John Pope providing respite and behind them, the drummers were almost on a conveyer belt as Walker gave way to Finn who moved over for Fairhurst who vacated the stool for Bradford who passed the sticks to MacKellar who, in turn, brought Walker back into the fray for an exciting musical brawl with Murphy on congas.
Then there were the singers.
Oh yes, we had singers, did we not!
Niffi gave us Almost Like Being in Love, delivered in her own inimitable style, Kate added more emotion with I Only Have Eyes For You and Andrea Harrison pitched in with Lover Man. This was as good as it gets - or was it?
I'll explain. No, Don't Explain sang Nishla Smith. We didn't - the silenced room said it all.
Nishla, an Australian singer from Manchester, currently in residence at Sage Gateshead, provided a welcome contrast Check her out.
The evening ended with all and sundry Letting the Good Times Roll - they certainly
rolled last night!
Photos.
Lance
Mark Williams (guitar); Paul Grainger (bass); Rob Walker (drums/bass guitar) + Brendan Murphy (congas); Abbie Finn (drums); Harry Keeble (tenor); John Pope (bass); Ramtin Mehraram (piano); Matt Fairhurst (drums); James Metcalf (trumpet); Jordan Alfonso (tenor); Graham Hardy (trumpet); Neville Hartley (trombone); Niffi Osiyemi (vocal); Nishla Smith (vocal); John Bradford (drums); Kate O'Neill (vocal); Francis Tulip (guitar); Andrea Harrison (vocal); Lisa Delarny (guitar); Matt MacKellar (drums); Paul Gowland (soprano); David Gray (trombone).

1 comment :

Bruce Bax (on F/b). said...

Some of the singing was just great last night.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance