Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Mon 05: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 05: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Sunday, August 26, 2018

Ushaw Ensemble @ Ushaw, Durham - August 26

Paul Edis (MD, piano); Graham Hardy (trumpet, flugelhorn); Graeme Wilson (tenor sax, bass clarinet, flute); Emma Fisk (violin); Andy May (Northumbrian pipes); Andy Champion (double bass); Rob Walker (drums)
(Review by Russell).

On Sunday morning Paul Edis, working alongside reedsman Graeme Wilson, coaxed sounds from the pipe organ in the splendid setting of St Cuthbert's Chapel. Their half-hour improvised set preceded a performance of Edis' heralded St Cuthbert's Suite by the jazz-folk Ushaw Ensemble. 

Edis formed the Ushaw Ensemble to work on a 2016 commission telling the story of Cuthbert (born c. 634). Acclaimed performances at Ushaw and Durham Cathedral were followed by concert dates across the north of England, including an evening at Wakefield Jazz Club. Edis dedicated this Ushaw Jazz Festival performance to Chris de Saram (Wakefield Jazz Club promoter) who died on August 21.
St Cuthbert's Suite took the form of two parts comprising eleven sections. Andy May's Northumbrian pipes rooted the music in the ancient northern landscape with the jazz element emerging out of Edis' every day twenty-first-century working practice.

Emma Fisk's violin established the St Cuthbert's Theme which recurred as the suite developed. May picked up the theme during A Shepherd from Melrose and subsequent sections featured Ellingtonian piano (Edis) and violin, Graham Hardy's brass playing (particularly effective in the impressive setting of St Cuthbert's Chapel) alongside Graeme Wilson's various reed instruments. 

Of particular interest to the jazz fan was The Vikings free jazz blowout - Cuthbert could never have imagined it! - depicting the coming of the Vikings. This was truly inspired playing focussing on Wilson's tenor saxophone and Rob Walker's tempestuous percussion with bassist Andy Champion and the composer, Dr Edis, aiding and abetting the raid on Lindisfarne Monastery.  

St Cuthbert's Suite is to be recorded for future release on CD. It is likely that the jazz scene - listeners, media and promoters - will be joined by others, not least those from the classical and folk worlds, keen to share the fruits of the Ushaw Ensemble's studio labours. 
Russell               
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