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Bebop Spoken There

Roseanna Vitro: "Have you ever tried singing a bridge to a Charlie Parker song? It just looks like the craziest thing in the world to me.'" - (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13848 (and counting) posts since we started blogging 13 years ago. 67 of them this year alone and, so far, 67 this month (Jan. 20).

From This Moment On ...

January 2022

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.
Sat 22: Ian Millar & Dominic Spencer @ Hamsteels Community Centre, Esh Winning. 8:00pm. £10.00.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public) .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Saturday, January 13, 2018

Paul Edis Trio @ The Jazz Café - Jan 12

Paul Edis (piano), Paul Susans (double bass) & Matthew MacKellar (drums)
(Review by Russell/Photo courtesy of Mike Tilley)
At short notice, drummer Matthew MacKellar stepped in to replace an ailing Rob Walker. Triptych would return at a later date with this evening’s concert rebranded as the ‘Paul Edis Trio’. The two Pauls – Edis, piano, Susans, double bass – switched their attention from the original composition project that is Triptych to the standards repertoire associated with the classic jazz piano trio.

Right on time Edis, Susans and MacKellar opened with Harold Arlen’s It’s Only a Paper Moon. As pianist Edis explained this evening’s two sets would take a look at the work of some of the all-time great jazz pianists. Opening with the great and influential Nat ‘King’ Cole was a good way to begin. The standard set, the trio played Moten Swing from Oscar Peterson’s Night Train album with Edis noting that the great Canadian pianist was more than a little impressed on first hearing Art Tatum. To the disappointment of the comfortably full upstairs room at the Jazz Café, our pianist chose not to play some Art Tatum – maybe next time!

As Edis introduced Bill Evans a phone bleeped. Disgracefully the culprit was none other than your correspondent. Quick as a flash Edis said: I hope that will be in the review! In mitigation, the bleep occurred due to a communication from BSH’s Editor in Chief making arrangements for a future gig review. There’s no rest for the wicked. The Evans’ number – My Romance – included Edis’ fleeting quote from Stevie Wonder’s Isn’t She Lovely? and a fine solo from our fine depping drummer, Matt MacKellar.

Paul Edis the composer peppered the set including Snakes and Ladders followed by Horace Silver. Our pianist observed that The Preacher bore similarity to The Bare Necessities. How true! So, from now on, Horace Silver will be seen and heard through the prism of The Jungle Book! To close out a fine first set a familiar 7/8 hand clap introduced Brubeck’s Unsquare Dance. Terrific!

A good number of music students turned up, and, encouragingly, stayed on, they were there for the duration. Edis’ Whiskers resumed matters with ‘blistering’ best describing the trio’s searing pace as Matt MacKellar knocked out another tremendous solo. Lullaby of Birdland, Bill Evans’ Very Early, a Paul Edis composition – The Long Way Round – sounding, to your correspondent’s untutored ear,  not unlike George Benson’s This Masquerade (what say Dr Edis?), and Billy Strayhorn’s Lush Life in the style of Phineas Newborn Jnr. A hugely entertaining, varied set list, Edis and Susans have a working knowledge of the numbers in the pad (bassist Susans, centrally positioned between piano and drums, undemonstrative yet demonstrably an A-lister) and the young man of the trio, drummer Matt MacKellar, knew most, if not all, of the charts in front of him, handling matters with ease, using brushes as and when required with a preparedness to take command and kick it along on uptempo numbers. Two Thelonius Monk compositions concluded matters, in so doing illustrating MacKellar’s versatility; Ba-Lue Bolivar Ba-Lues-are and the encore, a fabulous take on Rhythm-a-ning.

The Jazz Café’s first jam session of the year (Tuesday 16) just happens to feature pianist Edis and drummer MacKellar alongside the house trio’s main man, bassist Paul Grainger. Tomorrow Sunday at Darlington’s Quakerhouse MacKellar appears once again with the Francis Tulip Quartet. Oh yes!  
Russell    

2 comments :

Patti said...

Another jazzily excellent night at our very own Jazz Cafe - a welcome return after the Christmas and New Year hiatus. Just as Russell says ....... anyway, I've been pondering on the question of similarities between The Preacher and Bare Necessities. First, Horace Silver's was written about 1955 - and the Disney film didn't come out until the mid 1960's. To add an extra, The Preacher also sounds a bit like Show Me The Way To Go Home - this non musician, but keen jazz listener thinks. Any other views?

Lance said...

Show Me The Way To Go Home is the generally accepted source of The Preacher although Bare Necessities does seem to have a similar progression.

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