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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, January 27, 2018

CD Review: Leslie Pintchik - You Eat My Food, You Drink My Wine, You Steal My Girl!

Leslie Pintchik (pno/composer) Steve Wilson (alto) Ron Horton (tpt & flugel) Shoko Nagai (accordion) Scott Hardy (basses & guitars) Michael Sarin (dms) Satoshi Takeishi (percussion)
(Review by Dave Brownlow.)
This is Leslie Pintchik’s sixth album where she leads her piano/bass/drums trio augmented on some tracks either by trumpet and alto, accordion, guitar or percussion. Leslie is a prolific composer and the CD includes six of her original pieces together with two well-known standards. She plays piano in a calm, unhurried, thoughtful style with warmth, wit and drive veering emotionally from the poignant to the playful in depth
The title track You Eat My Food, You Drink My Wine, You Steal My Girl!  (What a great title!) has an infectious melody over a lively samba/funk/blues groove and features enthusiastic solos from piano, guitar (presumably through multi-tracking) and alto.
The first of two standards, I’m Glad There Is You by Jimmy Dorsey and Paul Madeira is played as a gentle bolero by the trio with clearly-developed solos from the piano and bass. The second, Smoke Gets In Your Eyes from Jerome Kern and Otto Harbach, is played in a samba rhythm just by the trio. The well-crafted piano and bass solos lead to a conclusion where the players work hard to achieve a final result.
The haunting ballad, Mortal was written to “express a sense of life’s fragility and especially shortness” and features sensitive one-chorus solos from piano, alto, trumpet and bass - a poignant effort from the whole group.
Another quirkily named original - Your Call Will Be Answered by Our Next Available Representative in the Order in Which It Was Received. Please Stay On The Line. Your Call Is Important To Us (the longest track-title I’ve ever come across!) - has Leslie and the trio humorously engaged in something which symbolises all our frustrations when we’re trapped in similar phone calls with blood-pressure rising! Full of stops and starts, the tune swings along with strong drive from the rhythm team – the bass solo is also particularly nimble and ear catching.
Hopperesque, inspired by the iconic artist Edward Hopper, features the keening sound of Shoko Nagai’s accordion in an evocative minor-keyed outing which fuels the “feeling of mystery”. Happy Dog has the accordion again and percussion of Takeishi to the fore in a cheerful piece played in a samba-based rhythm rollicking along with playful solos from the piano, guitar-like bass and chattering percussion. Finally, A Simpler Time has a lovely melody which could easily have come from the pen of Bill Evans or Fred Hersch in its construction. Leslie makes the piano “sing” in this performance with her graceful touch at the keyboard.
Overall, a simpatico album which grows on you after repeated listening and which further extends the career of this most musical artist in her quest for originality and beauty.
Dave. 

Available on Pintchard CD-004 from 23rd February 2018 at  www.lesliepintchik.com

2 comments :

Lance said...

Seems the album and the tune's title came from an exchange she overheard whilst crossing Canal Street and West Broadway in the SoHo section of Manhattan. One of those "only in New York" moments!

IR Cargill (on F.b) said...

That's life!!!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance