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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 01, 2017

GIJF Day 1 – Sage Gateshead: Clare Teal And Her Hollywood Orchestra

Clare Teal (vocals, compere); Guy Barker(conductor, trumpet); Orchestra with string section; Ben Cipolla, Cherise Adam-Burnett (vocals)
(Review by Ann Alex)
This was a hugely enjoyable start to the jazz festival. Ms Teal paid tribute to various singers such as Ella Fitzgerald, Lena Horne, Nina Simone and Peggy Lee, via the music of composers including Cole Porter and Billy Strayhorn. What with Ms Teal’s engaging enthusiasm and the skills of Guy Barker and the orchestra, we knew from the start that this would be good, but it was even better. The orchestra gave a sterling performance, enhanced to give a ‘Hollywood’ feel by the 7-strong string section, and contributions from soloists such as Jason Rebello on piano, Paul Booth on tenor sax, Colin Skinner on alto sax, and of course Guy Barker on trumpet. Unfortunately, I didn’t quite catch the name of the soloist on trombone.

And what’s more, we were introduced to new young vocalists, Cherise Adam-Burnett, in a shimmering golden dress, and Ben Cipolla, who added to his performance by playing guitar alone at the front of the stage to accompany a quiet version of I Only Have Eyes For You. Other numbers sung included the opener from Clare Teal It Might As Well Be Spring; Feelin’ Good (re Nina Simone); Secret Love; From This Moment On. Ben entered (he was discovered whilst busking a Michael Jackson song) with Young At Heart. After a spirited Sans Souci, with the audience joining in the ‘Go, Go, Go’ chorus, enter Cherise with Stormy Weather, and a vocalists threesome with clapping for Hernando's Hideaway to round off the first set.
Three of us didn’t quite get back in time and we found ourselves listening to Ms Teal behind closed doors, singing something in French. Cherise sang an Ella song, Invitation, followed by a plaintive love song penned by Clare Teal – she should write more. Then came  Cole Porter’s Let’s Do It; I’ll Never Be Free; then the fun of a vocal trio doing the Boswell sisters Roll On Mississippi, and Clare’s version of Mack The Knife.She didn’t forget the words as Ella had done during a performance of that song.
The well-deserved encore became 2 songs, Peggy Lee’s The Folks who Live On The Hill and Singin’ In the Rain, including the verse. It just remains to mention that Sage 1, level 1, was almost full and the technicians had done well with Hollywood style lighting, red, green strip lights, alternating with round blue lights.

Ann Alex 

1 comment :

  1. The "something" in French mentioned here is called La Belle Dame Sans Regrets. Sting also did a version!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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