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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Tuesday, April 04, 2017

GIJF Day 2: Miles Mosley @ Sage Gateshead - April 1

Miles Mosley (Bass/vocals); Dontae Winslow (trumpet); Ryan Porter (trombone); Cameron Graves (keys); Tony Austin (drums).
(Review by Steve T).
Hot-footed it from Dundee via North Bitchburn to get to this and I'm sticking to my guns that it was the real coup of the festival. When Kamasi's in Sage One and Kendrick, Lotus and Thundercat are at Metro Radio Arena, we'll be saying we saw the bass player at Northern Rock Foundation.
I half expected to see faces from a former life, George Clintons P Funk Mob being the nearest comparison I can make, though Kamasi cites Earth Wind and Fire as the major funk influence. The Jazz content is pretty much comparable for each.
I've been doing this long enough and often enough to know that expectations can lead to pleasant surprises but also disappointment and I attended this knowing it might not be all I hoped for.
It wasn't the breakthrough of my highest expectations but was a funky, fine way to finish off a Saturday night. The songs were good if unremarkable, mostly from his new album and it was great to be able to buy the CD, though some people seemed to know all the words to all the songs already, and why were they £15 when the people collecting the money are the same people who claim nobody wants them anymore?
The musicianship was strong throughout the small band of drums, piano and just two horns and, significantly, they were tight, as you'd expect from a band of brothers, figuratively speaking. I was stood in front of one of the amps which was comfortable when he wasn't playing his upright, loud when he was and exploded when he attacked it with his bow, often through a cry-baby, and I can't wait to hear how that sounds on the album.
The pianist played the funkiest acoustic piano I've ever heard and I found myself looking for a clavinet player, and the drummer may not have been the best in the world, as one audience member suggested and Miles agreed, but it's quite possible he's been dipped in the Tyne.
The audience included many who appeared to arrive specially, or were a hangover from GoGo etc,. and responded to calls of West Coast with the response Get Down, though only tentatively put the words into action, which may have been a blessing.
Tyneside may not have moved as much as the faithful may have liked, but I still think a fusion with hip hop is most likely to be the next big thing in Jazz, which will be great for young people to have something of their own. Three CDs of Kamasi’s Epic was probably too soon, Glasper going R+B a mistake, and Thundercat pulling in a famous popstar to gain radio airplay, not the way we'd like things to go. 
With Europe going for an even freer approach and Britain edging toward a smooth, prog, Jazz, funk, rock revival, based on the original American model before a visionary Yorkshireman spotted the error of their ways, the West Coast Get Down need to get on with it.
Steve T

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