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Bebop Spoken There

Diana Krall: "It was daunting to play in front of her [Joni Mitchell] but it was also wonderful." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Friday September 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Mark Williams Trio - The Merry Monk, 30 Market Place, Bishop Auckland DL14 7NP. 1:00pm. £5.00. Pub adjacent to Bishop Auckland Town Hall.

Evening.

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Zoë Gilby: Watching Sideways - Victoria Tunnel, Ouse Street, Newcastle NE1 2BE. Tel: 0191 230 4210. 8:00pm. £10.00.

Mark Williams & Pete Tanton - The Golden Lion, Market Place, Allendale NE47 9BD. Tel: 01434 683225. 9:00pm. Free.

Blues/Soul etc.

No Time For Jive - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Nick Pride & the Pimptones - Hoochie Coochie, Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 04, 2017

GIJF Day 2: Miles Mosley @ Sage Gateshead - April 1

Miles Mosley (Bass/vocals); Dontae Winslow (trumpet); Ryan Porter (trombone); Cameron Graves (keys); Tony Austin (drums).
(Review by Steve T).
Hot-footed it from Dundee via North Bitchburn to get to this and I'm sticking to my guns that it was the real coup of the festival. When Kamasi's in Sage One and Kendrick, Lotus and Thundercat are at Metro Radio Arena, we'll be saying we saw the bass player at Northern Rock Foundation.
I half expected to see faces from a former life, George Clintons P Funk Mob being the nearest comparison I can make, though Kamasi cites Earth Wind and Fire as the major funk influence. The Jazz content is pretty much comparable for each.
I've been doing this long enough and often enough to know that expectations can lead to pleasant surprises but also disappointment and I attended this knowing it might not be all I hoped for.
It wasn't the breakthrough of my highest expectations but was a funky, fine way to finish off a Saturday night. The songs were good if unremarkable, mostly from his new album and it was great to be able to buy the CD, though some people seemed to know all the words to all the songs already, and why were they £15 when the people collecting the money are the same people who claim nobody wants them anymore?
The musicianship was strong throughout the small band of drums, piano and just two horns and, significantly, they were tight, as you'd expect from a band of brothers, figuratively speaking. I was stood in front of one of the amps which was comfortable when he wasn't playing his upright, loud when he was and exploded when he attacked it with his bow, often through a cry-baby, and I can't wait to hear how that sounds on the album.
The pianist played the funkiest acoustic piano I've ever heard and I found myself looking for a clavinet player, and the drummer may not have been the best in the world, as one audience member suggested and Miles agreed, but it's quite possible he's been dipped in the Tyne.
The audience included many who appeared to arrive specially, or were a hangover from GoGo etc,. and responded to calls of West Coast with the response Get Down, though only tentatively put the words into action, which may have been a blessing.
Tyneside may not have moved as much as the faithful may have liked, but I still think a fusion with hip hop is most likely to be the next big thing in Jazz, which will be great for young people to have something of their own. Three CDs of Kamasi’s Epic was probably too soon, Glasper going R+B a mistake, and Thundercat pulling in a famous popstar to gain radio airplay, not the way we'd like things to go. 
With Europe going for an even freer approach and Britain edging toward a smooth, prog, Jazz, funk, rock revival, based on the original American model before a visionary Yorkshireman spotted the error of their ways, the West Coast Get Down need to get on with it.
Steve T

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance