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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Monday, April 03, 2017

GIJF Day 2: Double Bill: GoGo Penguin; Shobaleader @ Sage Gateshead – April 1

GoGo Penguin
Nick Blacka (double bass); Chris Illingworth (piano); Rob Turner (drums)
(Review by Ann Alex)
This talented hard-working band were a sheer joy to hear. Their stated aim is to produce music which has an electronic sound, but on acoustic instruments. They had elements in common with 1970’s prog rock, but enough jazz-like aspects to be labelled ‘Jazz’. The bass produced deep beats and real tunes; the piano was skilled, occasionally played by manipulating the strings manually; the drummer was a full, energetic part of the band. The audience applauded with genuine enthusiasm; the lower level of Hall 1 was full. I wasn’t surprised to read that the band had been nominated for the Mercury Prize.
Full flowing melodies, sounds from computer games, strong beats, riff-based tunes tumbled out. Most of the music was taken from their third album, Man Made Object (with Blue Note Records).
Tracks with titles such as All Res; Initiate, Branches Break, Protest. Branches Break gave us some delightful ‘chuff, chuff’ sounding percussion, and Protest sounded like the title, the piano playing a flowing tune perhaps representing ‘good’ against the rest of the band roaring out ‘evil’.
The band well deserved the standing ovation that they received from many in the audience.
After seeing Shobaleader (pictured) I think I need counselling. I’ve never seen anything quite like it on a stage. Imagine the set-up, a darkened stage with lots of black box amplification to the left and electronic equipment to the right. Enter four men (I think they were men, but they could have been robots) dressed as monks, who played guitars, drums and did the electronics. Then their faces became light motifs, squares, triangles, snout shapes and circles, in a regular sequence of green, yellow, blue, red.
I wanted to laugh as one of the shapes was a wide sort of smile. Was this comedy? It certainly wasn’t
Jazz. Yet it was intriguing and I couldn’t stop watching.
The music was electronic, loud, beaty, often very tuneful, lots of riffs repeated. The face lights varied, sometimes multicoloured patterns, sometimes circles spinning round the heads. The sudden changes in patterns were amusing, and other people around me also found them humorous. The light show became wilder, flashing white lights, lots of dry ice. It was all too much for some of the audience as about 20 or so people left. There’s a photo of the band in action on the front of the Sage brochure covering March and April.
No words were spoken or sung during the performance, so I consulted the band’s website, which declares that the personnel go under the names of Strobe Hazard; Squarepusher; Company Laser  and Arg Nution. I tried to read an interview that the band gave, which made no sense at all, nor, I suspect, was it meant to. I must say that this band portrays the opposite of individualism, as we are no wiser about who they are. As I say, I was intrigued and rather enjoyed myself in an odd way, but I wouldn’t want to see them again. But they must have some lasting appeal to some audiences.
Were they dressed as monks because, I’m told, that Medieval cathedrals were actually massive light shows, because of the painted walls and light coming in through the stained glass windows? Just an interesting thought that I had on the metro, going home.
Ann Alex

1 comment :

Lance said...

You can fool some of the people etc. particularly on April 1...

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