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Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Wednesday July 26

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Jo Harrop & Joel Byrne McCullough - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge. 7:30pm. 0191 2399924
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Village Hall Gang - Springwell Community Venue, Fell Rd., Gateshead NE9 7RP. 8:220pm. £3.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 21, 2017

CD Review: Jazzmain - Live at the Blue Lamp

Nick Gould (tenor); Steve Grossart (keys); Iain Harkness (bass); Kevin Dorrian (drums).
(Review by Lance).
Recorded live at "The Lamp" in Aberdeen last November, Jazzmain's second album is every bit as good as the first and maybe even better. Like most live recordings, the balance isn't perfect although it improves as the disc progresses or maybe it's my ears adjusting to the acoustics. Whatever, the music more than makes up for it. Play this in a blindfold test and I think many a listener would assume it had been recorded live at, say, the Five Spot or the Village Vanguard in NYC by a band from the 1950s' Blue Note label.
Of course, if you're a habitue of the Edinburgh jazz scene you may not be fooled. Likewise, regulars at Newcastle's Jazz Café jam sessions will possibly recognise Nick Gould's tenor playing. Gould is an occasional, and popular, jammer at the bi-Tuesday blows.
His gutsy tenor takes Jazzmain through a choice selection of GASbook items: Sunday in New York; Have You Met Miss Jones?; Tin Tin Deo; Funk in Deep Freeze; Tangerine; You Don't Know What Love is; Cheesecake.
Grossart, on keyboard, is no slouch either providing foil and support for front man Gould whilst Harkness is the anchor man although he doesn't drag and nor does driver Dorrian.
It's significant that Hank Mobley and Dexter Gordon provide two of the numbers as those two tenormen were surely among Gould's early influences.
After the posts re YES and Bob Dylan, this is, I quote, The promised kiss of springtime!
Highly recommended.
Check out Sunday in New York.
Lance

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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