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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Wednesday November 22

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

BBC Big Band - Middlesbrough Theatre, The Avenue, Middlesbrough TS5 6SA. 01642 815181. 7:30pm. £24.50.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 21, 2017

CD Review: Jazzmain - Live at the Blue Lamp

Nick Gould (tenor); Steve Grossart (keys); Iain Harkness (bass); Kevin Dorrian (drums).
(Review by Lance).
Recorded live at "The Lamp" in Aberdeen last November, Jazzmain's second album is every bit as good as the first and maybe even better. Like most live recordings, the balance isn't perfect although it improves as the disc progresses or maybe it's my ears adjusting to the acoustics. Whatever, the music more than makes up for it. Play this in a blindfold test and I think many a listener would assume it had been recorded live at, say, the Five Spot or the Village Vanguard in NYC by a band from the 1950s' Blue Note label.
Of course, if you're a habitue of the Edinburgh jazz scene you may not be fooled. Likewise, regulars at Newcastle's Jazz Café jam sessions will possibly recognise Nick Gould's tenor playing. Gould is an occasional, and popular, jammer at the bi-Tuesday blows.
His gutsy tenor takes Jazzmain through a choice selection of GASbook items: Sunday in New York; Have You Met Miss Jones?; Tin Tin Deo; Funk in Deep Freeze; Tangerine; You Don't Know What Love is; Cheesecake.
Grossart, on keyboard, is no slouch either providing foil and support for front man Gould whilst Harkness is the anchor man although he doesn't drag and nor does driver Dorrian.
It's significant that Hank Mobley and Dexter Gordon provide two of the numbers as those two tenormen were surely among Gould's early influences.
After the posts re YES and Bob Dylan, this is, I quote, The promised kiss of springtime!
Highly recommended.
Check out Sunday in New York.
Lance

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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