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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Thu 16: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 17: Lindsay Hannon: Tom Waits for No Man @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Joe Steels Trio w. Graham Hardy @ The Pele, Corbridge. 7:00pm. £10.00. (inc. a welcome drink & table reservation). Book at: www.drinks@thepele.co.uk. A ‘Jazz at the Pele’ promotion.
Fri 17: Russ Morgan Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 18: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 18: Alter Ego + Jamie Toms/Graham Don Duo @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 18: Tweed River Jazz Band @ Repas 7 by Night, West St., Berwick TD15 1AS. 7:30pm. Free. Album launch gig.
Sat 18: Delta Prophets @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 09, 2017

Edis & Wilson @ Café Monk - April 7

Paul Edis (piano) & Graeme Wilson (tenor saxophone)
(Review by Russell).
One week on from this year’s Gateshead International Jazz Festival Newcastle’s Jazz Café struck gold with the return visit of Paul Edis and Graeme Wilson. A duo performance makes demands on the listener, and some don’t always listen. This evening’s performance of the lesser-spotted works of Thelonius Sphere Monk drew a large, attentive crowd. So crowded was the Jazz Café that some sat on the floor – disciples at the feet of the masters.

A charged atmosphere, a sense of anticipation at what was to come, lights down, a few bars in to a rare performance of Green Chimneys and it was lights out! Momentarily – a split second in reality – ‘Café Monk’ plunged into darkness. A power surge on Pink Lane, the energised duo of pianist Paul Edis and reeds master Graeme Wilson lit up the room on what was to become a memorable night. Scot Graeme Wilson addressed the audience without the need of a PA, his tenor projecting to the gallery. Placing Monk’s compositions in context – early to late career – Wilson speculated as to the meaning of some of the titles. Early period Monk – We See – featured brilliant solos from Edis and Wilson, and this was to be the pattern throughout the evening. First Edis then Wilson, another tune Wilson then Edis.

The quality of performance sustained at an exceptionally high level marks out this gig as one of the great performances of the year, come to that, any year. Detailing each and every solo is somewhat of a redundant exercise – take it as read that all solos, indeed every note, played were nothing less than superb. Four in One, Ugly Beauty (with unintentional accompanying espresso coffee machine coda!), Gallop’s Gallop, Café Monk’s patrons applauded long and loud. Epistrophy (later reprised as an encore), Bright Mississippi, the wonderfully titled Trinkle, Tinkle, a ballad (Monk’s Mood), the audience would have hung around ’til midnight. Edis and Wilson concluded their masterclass with a marvellous Jackie-ing and Hornin’ In.

A packed Jazz Café attracted the usual faces, a few new faces (they’ll be back!) and a posse from the BABMUS/Jambone/Early Birders’ collective. These young musicians know their stuff – it’s good to know they made the effort to check out Paul Edis and Graeme Wilson. A five star evening.

Russell.                 

2 comments :

Steve T said...

When the cats are at play, the mouse has to stay away, which I (being the mouse) totally understand, but had I known this was all about Monk(and I'll no doubt get into more bother with Lance for not knowing), I'd have spoilt his little game anyway.
I've confessed before to being a Monk philistine but haven't given up and I'm still fascinated by him.
I wonder how much this was inspired by the historic Monk/Trane collaborations considered so vital to the latters development.

Lance said...

You're not alone re Monk. It took me a long time to appreciate the creativity of the man - as a pianist (I once heard him referred to as the 'Les Dawson of jazz') However, what was immediately apparent to me was his merit as a composer. Monk is up there with Ellington (another sometimes quirky pianist), Mingus, Stan Tracey, Gil/Bill Evans, Tadd Dameron and a handful more.

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