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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13858 (and counting) posts since we started blogging 13 years ago. 77 of them this year alone and, so far, 77 this month (Jan. 23).

From This Moment On ...

January 2022

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public) .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public). CANCELLED!
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Sunday, April 09, 2017

Edis & Wilson @ Café Monk - April 7

Paul Edis (piano) & Graeme Wilson (tenor saxophone)
(Review by Russell).
One week on from this year’s Gateshead International Jazz Festival Newcastle’s Jazz Café struck gold with the return visit of Paul Edis and Graeme Wilson. A duo performance makes demands on the listener, and some don’t always listen. This evening’s performance of the lesser-spotted works of Thelonius Sphere Monk drew a large, attentive crowd. So crowded was the Jazz Café that some sat on the floor – disciples at the feet of the masters.

A charged atmosphere, a sense of anticipation at what was to come, lights down, a few bars in to a rare performance of Green Chimneys and it was lights out! Momentarily – a split second in reality – ‘Café Monk’ plunged into darkness. A power surge on Pink Lane, the energised duo of pianist Paul Edis and reeds master Graeme Wilson lit up the room on what was to become a memorable night. Scot Graeme Wilson addressed the audience without the need of a PA, his tenor projecting to the gallery. Placing Monk’s compositions in context – early to late career – Wilson speculated as to the meaning of some of the titles. Early period Monk – We See – featured brilliant solos from Edis and Wilson, and this was to be the pattern throughout the evening. First Edis then Wilson, another tune Wilson then Edis.

The quality of performance sustained at an exceptionally high level marks out this gig as one of the great performances of the year, come to that, any year. Detailing each and every solo is somewhat of a redundant exercise – take it as read that all solos, indeed every note, played were nothing less than superb. Four in One, Ugly Beauty (with unintentional accompanying espresso coffee machine coda!), Gallop’s Gallop, Café Monk’s patrons applauded long and loud. Epistrophy (later reprised as an encore), Bright Mississippi, the wonderfully titled Trinkle, Tinkle, a ballad (Monk’s Mood), the audience would have hung around ’til midnight. Edis and Wilson concluded their masterclass with a marvellous Jackie-ing and Hornin’ In.

A packed Jazz Café attracted the usual faces, a few new faces (they’ll be back!) and a posse from the BABMUS/Jambone/Early Birders’ collective. These young musicians know their stuff – it’s good to know they made the effort to check out Paul Edis and Graeme Wilson. A five star evening.

Russell.                 

2 comments :

Steve T said...

When the cats are at play, the mouse has to stay away, which I (being the mouse) totally understand, but had I known this was all about Monk(and I'll no doubt get into more bother with Lance for not knowing), I'd have spoilt his little game anyway.
I've confessed before to being a Monk philistine but haven't given up and I'm still fascinated by him.
I wonder how much this was inspired by the historic Monk/Trane collaborations considered so vital to the latters development.

Lance said...

You're not alone re Monk. It took me a long time to appreciate the creativity of the man - as a pianist (I once heard him referred to as the 'Les Dawson of jazz') However, what was immediately apparent to me was his merit as a composer. Monk is up there with Ellington (another sometimes quirky pianist), Mingus, Stan Tracey, Gil/Bill Evans, Tadd Dameron and a handful more.

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