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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Thursday, April 06, 2017

GIJF Day 3:John Pope Quintet @ Sage Gateshead - April 2

John Pope (bass), Jamie Stockbridge (alto), Faye  MacCalman   (tenor), Graham Hardy (pocket trumpet), Johnny Hunter (drums).
(Review by Steve T)
Having missed them at the Bridge last summer, this was a major fixture in the program for me, without which the Festival would likely have become two gigs over consecutive nights, which isn't that unusual at Sage Gateshead where I often spend three or four consecutive nights.
Coincidentally, Ornette Coleman's Shape of Jazz to Come is on number one son's listening list so, not having heard it for many years, I bought us each a copy. Like probably many others, I saw the great man in Sage One shortly after returning to the North East, which I expected to be an act of homage but was actually excellent, despite being younger and (even) less responsible - I think I may have nodded off during a pocket trumpet or violin part.
Although I wouldn't cite Ornette as an all-time favourite, I consider the initial breakthrough period as essential listening for any Jazz enthusiast with an interest in free, adventurous, innovative, challenging music - oh I'm sorry, I've just quoted Martin’s Listening to the Future by mistake (the Alan Barnes ones are the best).
It was a short set of just four pieces, including two from the aforementioned album, and a reminder of one of the great ironies and contradictions of Ornette, that he had a fantastic flair for melody.
Graham Hardy demonstrated why he's the first choice trumpet player for many in the North East. Jamie Stockbridge on alto was clearly an important component and rose to the challenge impeccably. Faye is at the forefront of TNG in North East Jazz, and Trekkies will know what that means and the rest may work it out - no passive reporting on BSH. She's a favourite of Jazz North East, (who did a splendid job putting the afternoon on), and you can hear why. Johnny Hunter on drums was a new name to me (I think and apologies if not) and I understand there's a Leeds or Manchester connection, but he could just as easily been dipped in the Tyne by his mam as a bairn, where we only produce top drawer drummers.
It's hard to think how anybody other than a sax player could lead a band dedicated to the music of Ornette, but there's no doubt at all who's in control of this, the horns watching him closely, providing a rock solid foundation with outstanding musicianship and stretching something already stretched beyond capacity into new musical terrain.
I missed a set I'd paid good money for to watch this and I'm satisfied it was a good call.
Steve T.

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