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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Nathan Lawson Trio @ The Black Bull, Blaydon. 8:00pm. £8.00. Blaydon Jazz Club.

Tue 16: Vieux Carré Hot 4 @ Victoria & Albert Inn, Seaton Terrace, Seaton Delaval NE25 0AT. 12:30pm. £15.00 (tel: 0191 237 3697). Summer BBQ in the Beer Graden.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger & Abbie Finn.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 17: John Pope & John Garner + Nisha Ramayya @ Cluny 2, Newcastle. 7:30pm (doors). £15.00. (£12.00. adv.). A Gem Arts Masala Festival event.

Thu 18 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 18: Theo Croker @ The Glasshouse, Gateshead. 8:00pm.
Thu 18: Brad Linde’s Continentals @ The Globe, Newcastle. 8:00pm.
Thu 18: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 18: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:00pm. Rhythm & blues.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Darlington Big Band.

Fri 19: Luis Verde with the Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Luis Verde with the Dean Stockdale Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 19: Zoë Gilby Trio @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 20: Snake Davis & Helen Watson Duo @ Chopwell Community Centre NE17 7HZ. 7:30pm. £17.50.

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Friday, April 07, 2017

GIJF Day 3:: Jazz Africa/Jazz Cuba @ Sage Gateshead , April 2.

(Review by Steve T)
It's always nice to do at least one gig in Sage One, over the weekend, to see those who maybe only do one show,  but make the whole thing happen. Otherwise you feel insular, like the only people there are the familiar faces in the small rooms, at the concourse and the stands. 
This was the other no-brainer, along with Miles Mosley, until number one son introduced some brains suggesting we should be in Hall Two, and then Lance (who tends to know what he's doing in these matters) confirmed he was in Northern Rock. Sounds like a resounding finale for the Festival.
By Sunday evening, anybody still wondering whether they'd had a festival was left in no doubt by the end of this; this was almost a festival on its own. 
Lots to get through so Shabaka Hutchings was already onstage when I got in, complete with his Ancestors.  
Drums and percussion, rock solid and relentless, as always in these groups, brilliant sax from both tenor and alto, bass and a Hoodoo type Man, presumably Shabaka, dressed all in black, hat rim casting a shadow over his face, prowling the stage preaching, hollering and occasionally singing.
Short break before the Alfredo Rodriquez Trio took to the stage, the bandleader hitting it running, leaving no doubt he's a world class pianist. Afterwards I found myself stood with two Jambone/Early Birds keyboardists and asked whether they were going home to practice or put their instruments on ebay.
 The bass player was more enigmatic, in a splendid frock, large earrings and what looked (to someone of my age and background) like a type of hairnet. It was only when he came out of the shadows he revealed a full beard; the kind of look the media keep telling us wouldn't have been possible without Bowie. He could play too, taking the lead part on occasion - Steve Howe like - with a fixed, standalone member of the guitar family. As you'd expect, the drummer was safe too. One of the stage hands made himself the second least popular person in the building telling him to cut the set (or slit his throat). To the delight of the audience, he ignored him and played one more anyway.

Last up was Richard Bona, or as he liked to say - Michael Jackson, with his Mandekan Cubano. Another musician who could have been a stand-up comic, he had the audience laughing in the aisles. His singing was quite low-key until it required some passion when a soulful quality emerged, but was at its best in the African style of Youssou N'Dour, Salif Keita or Papa Wemba, particularly when acapella.
The band, or as he called them, the Cubans - who know how to take breaks, he told us, as they left the stage to take one - were hot, once again rock-solid percussion, piano and just two horns, doubling up on backing vocals Buena Vista Social Club style. His bass playing was restrained but with enough hints he could really go when required.
By the end we were all up 'dancing' in the aisles, at our seats, where we stood, bringing the whole thing to a glorious close. A triumph I heard somebody say to Ros Rigby as we filed out, and who knows whether he meant the gig, the night, the day or the festival, but I wasn't about to argue one way or another.
Steve T.

2 comments :

Anonymous said...

Shabaka is, quite notably, a Saxophonist.

John Pope said...

Actually, Shabaka is the tenor player.

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