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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, April 27, 2017

Playtime Collective @ The Jazz Cafe – March 25

Martin Kershaw (alto sax); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums).
(Review by Steve H/Photo courtesy of Ken Drew).
This was an amazingly good Jazz North East gig which just got better and better as the night progressed. The quartet play together fortnightly in an upstairs bar in Edinburgh (The Outhouse) where the evenings take on themes not only featuring jazz greats such as Charles Mingus, Ornette Coleman and Keith Jarrett but also themes such as film nights or TV programmes. For example, there was a glorious rendition of the Match of the Day theme then a merger of 2 children’s favourites The Magic Roundbarb and Custardabout (aka The Magic Roundabout and Rhubarb and Custard).
Tom Bancroft was both informative and self-effacing with his very humorous introductions. He informed the audience that the first ever tune Martin Kershaw had written for the band was called Irritant and Bancroft suggested that it was inspired by himself. As you would expect from such fine musicians (all bandleaders in their own right) the quality of the musicianship was superb. However, what I enjoyed most about the gig was that, although the band had their own distinctive sound, the variety and style of songs that they played always kept me interested and entertained. I am certainly looking forward to seeing them again whenever they return or failing that as a good excuse to visit Edinburgh.
Steve H.

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