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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Mon 16: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 16: Swing Manouche @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 17: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Monday, April 24, 2017

Under the Moon of Love? Ruth Lambert Quartet @ Ushaw College – April 21.

Ruth Lambert, vocals; Paul Edis, piano; Andy Champion, bass; Rob Walker, drums.
(Review/photos by Jerry)
The gig began with No Moon at All (which was appropriate as it was stottin’ down outside and even a “supermoon” would have been invisible), revved up in the second set with That Old Devil Moon and ended with How High the Moon. Love was most definitely the theme of the evening as evidenced by Beautiful Love, a song which Ruth Lambert explained had featured in the 1932 film, The Mummy, when Karloff’s mummy pursued the beautiful Helen Grosvenor. The things you learn!
We had a slow, moody take on “living to love and muddling through” in I’m Glad There Is You followed by a rapid gallop through Mercer and Kern’s I’m Old Fashioned (“stay old fashioned with me”). Ruth said she “never tired of singing” the next number, Arlen’s I’ve Got the World on a String, (“what a life – I’m in love!”) while Ira Gershwin summed up the euphoria with ‘S Wonderful! Brother, George, wrote the notes, of course, and some of his other notes popped up, intriguingly, in the piano solo during West Coat Blues in which Wes Montgomery with his “suitcase full of sorrows” gave an alternative take on love. The first set closed with Jobim’s Agua de Beber, a beautiful bossa nova with very metaphorical lyrics (by de Moraes?) – “Your love is rain, my heart the flower…”. It could have reminded us of the world outside –“since the rain has to fall, let it fall on me” – but we were lost in the music by then….
……..and stayed lost in the music till the aforementioned How High the Moon. I’ve mentioned all the second set songs bar two very contrasting ones in terms of tone and tempo: A Nightingale Sang in Berkeley Square and Ellington’s Caravan. Although I am a bit of a birdwatcher, I’ve never heard a Nightingale (I doubt they sing a lot in Chester-le-Street!) but if I had, my comment would probably be, as per my notes at the gig: “a beautiful song, beautifully sung”. Caravan was memorable because it gave Rob Walker an opportunity to let off steam and gain much-deserved applause with a drum intro and the relentless driving rhythm of sticks on the rim of the drum (for which, I’m sure, there must be a technical term – rim-click, maybe?). I’d earlier appreciated his drumming with his hands on the bossa nova – I expect there’s a term for that, too!All four musicians were on top form. Ruth Lambert exercised her full vocal range (Agua de Beber finished on a very high note!) in a variety of moods from wistful (Nightingale) to giggly (I’m Old Fashioned). Before the second number she asked Paul Edis to do “something inventive and beautiful” as an intro and that pretty much summed up his solos all evening. Andy Champion was not to be left behind, either: my notes on ‘S Wonderful say “cracking piano solo matched by A.C.” and he was prominent on several other numbers such as West Coast Blues and I’m Old Fashioned where he gave us an amazingly energetic bowed solo!
So, this first in a new season of gigs at Ushaw (now well-established as a jazz venue and deservedly flourishing) set the bar high for the summer to come. With four top musicians mining the rich seams of the “Gasbook” you’d expect no less. Next up is the Strictly Smokin' Big Band, look out for details.
Jerry.

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