Total Pageviews

Bebop Spoken There

Val Wilmer: "The festival [New York Musicians Festival], an impressive exercise in African-American self-reliance, had come about after the promoter George Wein had moved his annual Newport Jazz Festival to New York the previous year [1972], and paid scant attention to the avant garde." - (Wire June 2020)

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Tuesday, December 17, 2013

The People's Kitchen Christmas Bash! Monday December 16

 Don Forbes put together a few musicians to play a short set at this event.
Don Forbes - Trumpet; John Rowlands - Tenor; Rachel Richmond - Alto; Jude Murphy - Alto and Vocals; Dave Parker - Bass; Peter Ninnim - Drums.
This was one of the most unusual gigs the writer had ever attended! The Band set up on the pavement, (pleased I remembered the drum mat) there was no electricity so no mikes, and the happy noise of the trains thundering overhead as they came out of Manors reminded me of the old pictures of street bands in Chicago! The crowd eventually got into the music and the applause was really building by the end.
The band started with Alfie's Theme by Sonny Rollins and included amongst other things a great version of Scotch and Water  written for the Cannonball Adderley Sextet by Joe Zawinul;  Nostalgia on Times Square by Charles Mingus; Billy Taylor's I Wish I Knew How it Would Feel to be Free and Benny Golson's Are You Real? recorded notably by the Jazz Messengers'.
The sound was surprisingly good bouncing off the underside of the bridge and the two man rhythm section worked well together and could hear the horns well; here's to next year!
Peter Ninnim.

No comments :

Blog Archive