Total Pageviews

Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Friday November 22

Afternoon

Jazz

Sue Ferris Trio - The Merry Monk, 30 Market Place, Bishop Auckland DL14 7NP. 1:00pm. £5.00. Pub adjacent to Bishop Auckland Town Hall.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Mick Shoulder Quintet - Traveller's Rest, West Auckland Road, Darlington DL3 9ER. 8:00pm. (doors 7:30pm). £8.00. Opus 4 Jazz Club.

Tenement Jazz Band - Theatre Hullabaloo, Borough Road, Darlington DL1 1SG. Tel: 01325 405405. 8:00pm. £14.00. Darlington NOJB.

Blues/Soul/Funk etc.

Ishmael Ensemble - Cobalt Studios, Boyd Street, Newcastle NE2 1AP. 8:00pm. £7.47.

Catfish Keith - Old Cinema Launderette, Marshall Terrace, Durham DH1 2HX. 8:30pm. £18.00. + £1.80. bf.

The Odels - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, December 17, 2013

CD Review: Paul Harrison - Ten Play Ten

Paul Harrison (pno).
(Review by Lance).
Manchester born Harrison's first solo CD is an impressive take on 10 of his favourite standards. Using all ten fingers - hence the title - and, I guess, a few toes as well judging by some of the electronic devices used .What is it with today's players and their obsession for digital delays and other forms of electronic sorcery?
However, despite having made public my Luddite tendencies I must confess that on this disc they are used sparingly and quite effectively so maybe I may yet arrive in the 21st century.
Harrison is well worth checking out. His playing is reflective and exploratory. He's not a grandiose, flamboyant - keep the piano tuner on standby - style player although he can unleash the technique when the situation demands it. To my ears he conveys the feel of Tristano, Bill Evans or Keith Jarrett in a subdued mood. 
Timing is the keynote here. Without the straitjacket of bass or drums, the pianist stretches the melody every which way  - including loose. Particularly loose! He delves deep into his bag of chords to create a rich harmonic texture often surprising but never "wrong".
A Foggy Day has some strange things happening before Harrison emerges from the mist with an almost Bachian reading of the tune and a Louissier-like improvisation.
I Got Rhythm; Louiza; Be My Love; A Pretty Girl is Like a Melody; If I Loved You/My Funny Valentine; The Summer Knows; Birthday Tango (For Nic); Every Time We Say Goodbye; A Foggy Day; Dream.
A choice selection of tunes performed in an original manner (Birthday Tango is an original by Harrison).
I'd like to tell you more but, like 9 out of 10 CDs these days, the notes are indecipherable unless you've got 20-20 vision, glasses with Jodrell Bank lens' and infra-red, ultra violet lighting. You'd stand a better chance if the notes were in Braille!
Fortunately, in this case, the music speaks for itself.
Paul Harrison - Ten Play Ten is available from Paul or at gigs. Check out 
Lance

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance