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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Tuesday, December 17, 2013

CD Review: Paul Harrison - Ten Play Ten

Paul Harrison (pno).
(Review by Lance).
Manchester born Harrison's first solo CD is an impressive take on 10 of his favourite standards. Using all ten fingers - hence the title - and, I guess, a few toes as well judging by some of the electronic devices used .What is it with today's players and their obsession for digital delays and other forms of electronic sorcery?
However, despite having made public my Luddite tendencies I must confess that on this disc they are used sparingly and quite effectively so maybe I may yet arrive in the 21st century.
Harrison is well worth checking out. His playing is reflective and exploratory. He's not a grandiose, flamboyant - keep the piano tuner on standby - style player although he can unleash the technique when the situation demands it. To my ears he conveys the feel of Tristano, Bill Evans or Keith Jarrett in a subdued mood. 
Timing is the keynote here. Without the straitjacket of bass or drums, the pianist stretches the melody every which way  - including loose. Particularly loose! He delves deep into his bag of chords to create a rich harmonic texture often surprising but never "wrong".
A Foggy Day has some strange things happening before Harrison emerges from the mist with an almost Bachian reading of the tune and a Louissier-like improvisation.
I Got Rhythm; Louiza; Be My Love; A Pretty Girl is Like a Melody; If I Loved You/My Funny Valentine; The Summer Knows; Birthday Tango (For Nic); Every Time We Say Goodbye; A Foggy Day; Dream.
A choice selection of tunes performed in an original manner (Birthday Tango is an original by Harrison).
I'd like to tell you more but, like 9 out of 10 CDs these days, the notes are indecipherable unless you've got 20-20 vision, glasses with Jodrell Bank lens' and infra-red, ultra violet lighting. You'd stand a better chance if the notes were in Braille!
Fortunately, in this case, the music speaks for itself.
Paul Harrison - Ten Play Ten is available from Paul or at gigs. Check out 
Lance

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