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Bebop Spoken There

Billy Cobham: "Miles said to us, 'Don't play in between takes,' so of course John [McLaughlin] played in between takes." - (JazzTimes, Nov. 2019).

Archive

Today Thursday November 21

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Brand New Heavies - Riverside, Neptune House, Close, Newcastle NE1 3RQ. 7:00pm. £25.00.

Alice Grace-Jordan Alfonso Quintet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Son Yambu - Whorlton Village Hall, Barnard Castle DL12 8XD. Tel: 01833 627253. 7:30pm. £10.00., £5.00. child, £25.00. family.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Tees Hot Club w. Dan Johnson (tenor sax); Donna Hewitt (slto sax); Dave Archbold (keys). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk/Etc.

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 22, 2013

Vieux Carré Jazzmen @ The Millstone. December 19

(Review by John Peace).
It was a cold, grey damp Thursday afternoon in South Gosforth when having gotten all my timings wrong for wandering around Majestic wines and meeting up with a friend I found myself with a couple of hours to kill. No problem I thought, just go to the Brandling ( a pub last visited when I was in the 6th form at St Mary's) and have a couple of quiet pints. Well quiet was out the question as the place had a couple of large raucous groups in and there's nothing that makes you feel more like 'johnny no mates' than standing at the bar on your own when everyone else is laughing and the air is filled with loud chatter!
Still all was not lost, there was always the Millstone to try, so I braved the rain and wind and headed there, pushed open the door to be met with the unmistakeable aroma of Christmas dinner and the gentle hubbub of conversation, this will do I thought so a pint of Tyneside Blonde was duly ordered.
Pint in hand I took in the bar, which turned out to be full, all the tables and chairs taken, across in the corner a banner proclaimed 'Vieux Carré Jazzmen'. Aah great I thought some Jazz for the afternoon, maybe some mellow Miles or John Coltrane maybe even a bit Sonny Stitt. An announcement from the band area "will the gentlemen of the orchestra please come and attend to their instruments" Sure enough half a dozen guys made their way forward and the unmistakeable sound of instrument being prepared filled the air. One of them wanders to the microphone, welcomes everyone for coming and duly announces that todays session would start with a song from 1925! Oh god no... not trad jazz a music form I've never liked or appreciated, time to drink up and head for Newcastle and with three quarters of a pint to finish it wasn't going to be a quick escape.
So the band started up, now here was something new, this wasn't the Trad Jazz I'd heard in the past. This was something more melancholic, slower paced and definitely more pleasant on the ear! These guys were/are consummate musicians, playing with some style and a clear love and feeling for this music. The audience were clearly enjoying it too, applauding every solo  and generally getting in to the swing of things. Before I knew it I'd ordered a second pint and was applauding the end of the session. Next to me at the bar was a guy who’d been ‘foot tappin’ along to the tunes, so I turned to him and asked a little about the band, discovering they've been around in one form or another since the fifties and the trumpet player, Fred Rowe was in his mid eighties and the average age was comfortably in the 70's, new found admiration for these guys!
Third pint ordered and time for the second session to start. My old fears returned as the first couple of songs sounded, at least to my ears, that each of them were playing a different tune. But then Minnie The Moocher was introduced as the next song, the only song played that I recognised the title of, being familiar with the Cab Calloway version. Now this one was different and actually had an air of authenticity about it that said "I was here first" and contained enough ho di ho's in it to keep everyone happy as the audience joined in!
Pint no. 4 was duly ordered, this Tyneside Blonde is a lovely pint and goes down easily! The band were coming to the end of their set and finished with a song called Goin' or maybe Comin' home, for me this was the best tune played it had a distinct feel of the Blues to it and so ended the session to appreciative applause from everyone in the audience.
With the 21st century speeding past outside it was time to leave the warmth and comfort of the 1920's behind and get some Christmas shopping done and meet up with my friend. Now if you've ever got a bit time to kill and happen to see the Vieux Carré Jazzmen are playing, do yourself a favour and "come in out of the rain to hear the jazz go down."
Also I’ll be following your blog from now on.
Cheers and Merry Christmas




John Peace

1 comment :

Brian (banjo) Bennett said...

Great review, John! It seems the old jazzers (with more than a little help from the Tyneside Blonde) hooked you then reeled you in. Hope to see you again, but next time introduce yourself and have a word!

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance