July
Sat 25: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner. Cheek to Cheek - Ella Fitgerald. Enrol at: learning@jazz.coop.
Sat 25: Red Kites Jazz @ Costa Café (within Next), MetroCentre, Gateshead. 2:00-3:00pm. Free.
Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free. CANCELLED!
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Bright Street Big Band @ Sandhaven Amphitheatre, South Shields. 3.30-5.30pm.
Sun 26: Jo Harrop & Jamie McCredie @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.
Sun 26: King Bees @ Luckies, Jesmond, Newcastle. 8:00pm. Free. Chicago blues.
Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 28: Liam & Shayo @ Newcastle Arts Centre. 7:30pm. Free. Liam Oliver (guitar), Shayo Oshodi (vocals).
Wed 29: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Abbie Finn Trio @ Music Dept., Durham University. 9:15pm. A Durham Fringe Festival event
Thu 30: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 30: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 30: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
.
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Red Kites Jazz @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 31: Milne Glendinning Band @ Repas 7 by Night, Berwick. 8:00-9:00pm. £6.00. A Berwick Fringe Festival event. £6.00 (£6.00 wristband access to all Fringe events).
6 comments :
he was one of my late dad's favourites
And your brothers too I would guess!
This is such sad news and despite his advancing years a big shock as Jim was active and playing as well as ever till very recently. I'm one of the many, many jazz guitarists who absolutely love his playing. From his early recordings with Giuffre then Desmond it was clear here was someone rather different with a thoughtful style, an intent listener to those around him, a harmonic master and a lyrical soloist for whom a sense of form and the innate beauty in his work, seemed so natural. His subsequent career is well documented – the iconic album with Rollins, the sublime duo pairing with Bill Evans, the 'Alone Together' duo with bassist Ron Carter, and his work many other jazz legends. I particularly love his trio and quartet albums – 'All across the city' and 'Circles'.
Jim Hall influenced countless jazz guitarists some who have become icons in their own right yet somehow he remained very different, a totally unique player who graced everything in music he was involved with and who must surely be ranked not only among the all time greats of jazz guitar but more than that, one of the truly great jazz musicians across the entire history of the music.
That's a great shame.one of the masters.
To my mind Jim Hall was the gentle giant of jazz guitar. His tone was quiet and soft and lulled you into the false belief that he wasn’t really doing very much until you tried to copy his runs, licks and chording. It was then you realised that this was no ordinary player and any complacency on your part was immediately replaced by feelings of inadequacy and awe. From his insistent rhythmic accompaniment with Jimmy Giuffre and Bob Brookmeyer, his exciting duets with Jimmy Raney and his superb album with the wonderful Carl Perkins on piano, to his tasteful solo performances, Hall has left an unequalled legacy of excellence. My particular favourite performances are his solo on “Deep in a Dream” on the aforementioned album and his playing throughout “In the Wee Small Hours” with Gerry Mulligan. I caught him once in London and came away spellbound and inspired in the same way I would have been if he had been Django Reinhardt or Charlie Christian. High praise indeed but totally deserved. The news of his death has shocked and saddened me immeasurably.
Jim Douglas
"Crazy He Calls Me" from the Giuffre Trio is the one that does it for me.
Post a Comment