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Bebop Spoken There

Mark Turner: "Practice should never be mindless or careless. You will sound like that on the gig!" - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,204 (and counting) posts since we started blogging 13 years ago. 623 of them this year alone and, so far, 31 this month (May 8).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Thursday, December 05, 2013

Marilyn Crispell & Raymond MacDonald + John Pope & Greta Buitkute @ King’s Hall, Newcastle University. December 4

Marilyn Crispell (piano) & Raymond MacDonald (alto & soprano saxophones), Andy Champion (double bass)
(Review by Russell/Photos by Ken Drew.)
There was a huge turn out in Armstrong Building, Newcastle University. The Congregation exited King’s Hall – academics, graduates and guests – following an awards ceremony. Photographs taken, bouquets discarded, within minutes the building stood deserted. The scheduled gig in the Recital Room proved problematic as the space functioned as a cloak room for the duration, coats racks everywhere, the Steinway in there somewhere. Only one thing to do, hold the gig in the King’s Hall. Rows of empty chairs from the earlier assembly would surely fill up. Of course they didn't. Platform with ceremonial chairs and throne made for a surreal backdrop. Steinway in position, bar set up, the audience started to arrive. 
The usual faces, first name terms, the state of the music in these difficult times for the small scale promoter. Small promoter, big gig. American pianist Marilyn Crispell joined forces once more with reeds virtuoso Raymond Macdonald. A relationship born of their meeting at Jazz North East’s On the Outside Festival, the duo have gone on to play concerts and document their music making on CD.
The ‘product’ sold like hot cakes (mince pies?) on the night, testament to the exceptional performance heard by the lucky few. Crispell appeared in Newcastle way back with Anthony Braxton and years later in the King’s Hall the self effacing American reaffirmed her rare talent. Head bowed, hunched over the keyboard, Crispell’s two handed note clusters inspired Raymond MacDonald to ever greater heights. Alto or soprano, the amiable Scot gave the performance of a lifetime. Notes reached up into the cloistered rafters ringing crystal clear to the echo. MacDonald’s keen ear responded to the acoustic, incorporating the delay of cathedral like proportions into his playing. Possessing imperious technique, the jazz – and it was ‘real’ jazz – took some believing. The rapport between the musicians telepathic, the playing stonkingly good. One piece recalled In a Sentimental Mood, another infused with gospel sounds, the truth. 
At the close the duo invited double bassist Andy Champion to join them for an encore. Three string Champion (one string broke!) slotted in comfortably, as one has come to expect.
Earlier John Pope (double bass|) & Greta Buitkute (voice) played a short opening set. Pope’s recent improv outings have seen him take giant strides, looking and sounding increasingly at home in the genre. Buitkute chooses to explore the possibilities of the human voice, pushing boundaries, as they say. Working acoustically on this gig, her quiet excursions required concentrated listening, lower register guttural sounds projected without the aid of a mic. An interesting set, a wonderful evening, a contender for Gig of the Year! 
Russell.

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