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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Thursday, December 05, 2013

Marilyn Crispell & Raymond MacDonald + John Pope & Greta Buitkute @ King’s Hall, Newcastle University. December 4

Marilyn Crispell (piano) & Raymond MacDonald (alto & soprano saxophones), Andy Champion (double bass)
(Review by Russell/Photos by Ken Drew.)
There was a huge turn out in Armstrong Building, Newcastle University. The Congregation exited King’s Hall – academics, graduates and guests – following an awards ceremony. Photographs taken, bouquets discarded, within minutes the building stood deserted. The scheduled gig in the Recital Room proved problematic as the space functioned as a cloak room for the duration, coats racks everywhere, the Steinway in there somewhere. Only one thing to do, hold the gig in the King’s Hall. Rows of empty chairs from the earlier assembly would surely fill up. Of course they didn't. Platform with ceremonial chairs and throne made for a surreal backdrop. Steinway in position, bar set up, the audience started to arrive. 
The usual faces, first name terms, the state of the music in these difficult times for the small scale promoter. Small promoter, big gig. American pianist Marilyn Crispell joined forces once more with reeds virtuoso Raymond Macdonald. A relationship born of their meeting at Jazz North East’s On the Outside Festival, the duo have gone on to play concerts and document their music making on CD.
The ‘product’ sold like hot cakes (mince pies?) on the night, testament to the exceptional performance heard by the lucky few. Crispell appeared in Newcastle way back with Anthony Braxton and years later in the King’s Hall the self effacing American reaffirmed her rare talent. Head bowed, hunched over the keyboard, Crispell’s two handed note clusters inspired Raymond MacDonald to ever greater heights. Alto or soprano, the amiable Scot gave the performance of a lifetime. Notes reached up into the cloistered rafters ringing crystal clear to the echo. MacDonald’s keen ear responded to the acoustic, incorporating the delay of cathedral like proportions into his playing. Possessing imperious technique, the jazz – and it was ‘real’ jazz – took some believing. The rapport between the musicians telepathic, the playing stonkingly good. One piece recalled In a Sentimental Mood, another infused with gospel sounds, the truth. 
At the close the duo invited double bassist Andy Champion to join them for an encore. Three string Champion (one string broke!) slotted in comfortably, as one has come to expect.
Earlier John Pope (double bass|) & Greta Buitkute (voice) played a short opening set. Pope’s recent improv outings have seen him take giant strides, looking and sounding increasingly at home in the genre. Buitkute chooses to explore the possibilities of the human voice, pushing boundaries, as they say. Working acoustically on this gig, her quiet excursions required concentrated listening, lower register guttural sounds projected without the aid of a mic. An interesting set, a wonderful evening, a contender for Gig of the Year! 
Russell.

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