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Bebop Spoken There

Reuben James: "Mark [Kavuma] has such a unique sound on the horn. He lets it all hang out in a very vulnerable way when he plays ballads." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 24

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Cancelled!

JCM: In Memory of Jon Hiseman - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:00pm. £20.00. (£18.00. adv.). Clem Clemson (guitar); Mark Clarke (bass); Ralph Salmins (drums). Support: T-A-B ((Tom Atkinson Band).

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Alter Ego - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. £5.00.

Blues

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 22, 2013

Simon Spillett Quartet @ The Oval Tavern, Croydon.

Simon Spillett (ten/sop); Ted Beamont (pno); Tim Wells (bs); Trevor Tompkins (dms).
(Review by Lance).
Simon Spillett never fails to impress. With a technique that outstrips most of his contemporaries (with each hearing he seems to add an extra hundred notes per phrase!) And yet, these aren't mere hip arpeggios but meaningful usage of the tools at his command. He is a walking, living, Jazz Courier with Tubby's technique and Ronnie's laconic sense of humour.
The 73 bus, the train and the walk to the oak beamed pub was well worth the effort. I don't know if the beams are genuine but the music certainly is. And if the beams are genuine oak then, because of the low ceiling, they ran risk of being somewhat singed as the notes flew upwards with the ferocity of a Xmas fireworks display.
The tenorman was in good company. Ted Beamont matched Spillett's excitement with some explosive solos of his own that exploited the chordal possibilities of the keyboard building up to incredible climaxes, Trevor Tompkins was described by Spillett as one of the finest drummers in this room today - and far beyond he may well have added. Tim Wells was at the heart of things soloing superbly throughout and holding it all together.
When he's not intent on going for world records Spillett can also display a romantic side to his playing e.g. sensitive readings of I Thought About You, Here's That Rainy Day, A Nightingale Sang in Berkeley Square and Someday My Prince Will Come - this latter tune on soprano. The first time I'd heard him on soprano and the first time I'd saw him sporting a beard. I wonder if the two are connected?
Simon Spillett is, he tells me, doing a JNE gig next month. One to look forward to. More details when JNE release the information.
Photos.
Lance.
Possibly more photos to follow...

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance