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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 22, 2013

Café Society Swing @ Leicester Square Theatre, London. December 21.


Cherise Adams-Burnett, China Moses, Alexander Stewart (vcls); Harold Sanditen (narrator/vcls); Alex Webb (MD/comp/arr/pno); Sue Richardson (tpt/flug); Nathanial Facey (alt); Frank Griffith (ten/clt); Nathanial Cross (tmb); Jo Caleb (gtr); Miles Danso (bs); Shane Forbes (dms). Directed by Simon Green.
(Review by Lance. Photos courtesy of Alex Webb - China Moses [l] Alexander Stewart [r]).
Forget Les Mis or Lloyd Webber's latest this is the only place to be. It should run longer than The Mousetrap but it's only on for 2 nights and tonight is the last performance so don't procrastinate but Hurry on Down to this Playhouse Baby - to misquote a tribute to Nellie Lutcher by Adams-Burnett in this wonderful show.
As we waited to get in a girl came round dishing out programmes! Normally programmes cost almost as much as a ticket! (exaggeration!)
For those unfamiliar with the production it is based on the book Café Society: The Wrong Place for the Right People.
Café Society was the brainchild of Barney Josephson who before, during and after the second world war ran two clubs in New York (uptown and downtown). The first known establishments in America where races were allowed to mix which didn't go down well with the establishment who eventually got it closed down in 1947 (49?)
During it's halcyon years many stars and personalities from the world of jazz and show business performed and frequented the place.
This show pays homage to some of those singers and musicians interwoven with key events in the club's history.
Three fine singers, a band that steamed, and a narration that told the story effectively - well, semi effectiuvely. In the first act Sanditen's lapel mic only picked up the voice when his head was turned to the left but not when he turned away! This was fine for me in Row B but could have been difficult for those further back. For the second act he used a standard microphone and all was fine.
The repertoire was a mix of standards and originals by Webb who has created a legacy to be proud of. Unfair to single either singers or musicians out as they all contributed effectively but Griffith's clarinet on What a Little Moonlight Can Do and the final Strange Fruit by Moses were peerless but then again so was Facey's birdlike alto on the boppy What is this Thing Called Love. Just about everything was perfect (delete 'about').
Café Society Swing deserves to be seen at every jazz festival and theatre venue in the world - even New York!
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance