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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, December 30, 2013

Best Jazz Read of the Year: McPartland v Burton

Any of our readers who follow "The Sport of Kings" as well as the Music of Kings (and Dukes, Counts Earls and other nobility) will know the feeling. Your horse is ten lengths clear going into the final furlong and already you're visualising how to spend the untold riches that your 50p stake has brought you until, suddenly, from out of nowhere a bay gelding bursts from the pack and is soon neck and neck with your thoroughbred. The winning post draws closer, you close your eyes and...
Well that is how it was for me regarding my Best Jazz Read of the Year. Paul de Barros' biography (written in conjunction with) of Marian McPartland Shall We Play That One Together? was odds on favourite and looked to be running out an easy winner.
It's a great book and one that deserves a place on anyone's jazz bookshelf. However, an unexpected Christmas present brought in a ringer in the form of Learning to Listen: The Jazz journey of Gary Burton. I've yet to finish it but I'm devouring up the furlongs (sorry chapters) and it's anybody's race.
Marian talks candidly about her affair with drummer Joe Morello whilst Burton speaks openly about his agonising search to discover his sexuality before "coming out".
Personal issues aside, they both give revealing insights into musicians they've worked with, and admired or, in some cases, not admired. Burton in particular writes about Shearing, Getz, Davis, Ellington, Milt Jackson, Lionel Hampton and others - warts and all!
McPartland is possibly kinder, or maybe her biographer made it seem so. Certainly De Barros portrays this graceful lady as not always so graceful.
The winning post is in sight and a photo finish is certain although, on photos, Burton gets the nod.
Lance.
Shall We Play That One Together? Paul de Barros: St. Martin's Press 2012.
Learning to Listen: The Jazz Journey of Gary Burton. Gary Burton: berklee press 2013.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance