Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18532 (and counting) posts since we started blogging 18 years ago. 396 of them this year alone and, so far this month (May 15) 50

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 21: Jazz Classics with Rivkala @ The Black Swan, Newcastle. 7:30pm. Free. Rivkala (vocals); Alan Law (piano); Paul Grainger (double bass).
Thu 21: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 22: Paul Skerritt @ Market Place, Durham. From 12 noon. Free. Skerritt w. backing tapes.
Fri 22: Paul Edis Trio @ The Gala, Durham. 1:00pm. £9.00. Edis, Andy Champion, Steve Hanley.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 22: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm. £TBC. Edis, Andy Champion, Steve Hanley.

Tuesday, August 13, 2013

CD Review: Tom Kennedy – Just Play

Tom Kennedy (bs); George Garzone (ten); Renee Rosnes (pno); Dave Weckl (dms) + Mike Stern, Lee Ritenour (gtr); John Allred (tmb); Steve Witts (ten).
(Review by Dave Brownlow.)
This album “Just Play” is an unashamedly swinging session led by bassist-extraordinaire Tom Kennedy where he and several friends, accomplished players all, enjoy work-outs on classic material.
The core group is a quartet comprising George Garzone on tenor, Renee Rosnes on piano, Dave Weckl, drums and the leader on acoustic bass, supplemented on separate tracks by Mike Stern on guitar, Tim Hagans on trumpet, Lee Ritenour on guitar, John Allred trombone, and Steve Wirts, tenor.
Sonny Rollins’ Airegin starts us off at a furious tempo with an unpredictable solo from Garzone and a horn-like one from Kennedy himself. Lee Ritenour is next featured on Bobby Timmons’ Moanin with soulful work from the whole quintet. The Night Has a Thousand Eyes follows, featuring Hagans, Allred and Wirts augmenting the quartet into  a nicely arranged performance in which Weckl’s drums “sparkle”. The tempo slows next for a Garzone rendition of Lee Morgan’s Ceora also featuring Rosnes airy, tasteful and flowing piano solo.
On his own One Liners, Mike Stern joins the group for this high energy swinger. Mike uses a distinctive, slightly distorted guitar tone which is reminiscent of Hiram Bullock’s work in Gil Evans’ freewheeling ensemble at The Sweet Basil .This cranks up the excitement level leading into a Rosnes solo which takes one in and out of “Tyner Country” with fleet-fingered right hand work over those memorable tri-tone left hand chords. Duke Ellington’s In a Sentimental Mood follows next at a lively tempo featuring the whole quartet.
Kennedy himself begins Bolivia with Cedar Walton’s familiar opening bass line and continues with a formidable solo showcasing his “monster chops. Renee Rosnes is herself featured next in a beautifully re-harmonised trio version of Brubeck’s In Your Own Sweet Way. Renee’s playing reminds one of Al Haig’s style, with graceful melodic ideas and well spaced-out phrases, combining with a lovely touch at the keyboard making the piano “sing”. Dave would have liked this track…..The album closes with a Rollins Trio-style (tenor/bass/drums) version of What Is This Thing Called Love which allows Garzone great freedom without any chordal support from piano or guitar. Here he goes “inside and outside” on these well-known changes, challenging drummer Weckl to some fiery exchanges en route.
As a bassist Tom Kennedy has the lot. A remarkable technique enables him to hold the rhythm section together whatever the tempo, and take solos which are horn-like in their construction. His tone is full and compelling, even cello-like when he ascends into the higher registers where his intonation is spot-on unlike some other famous players who have found it difficult to achieve ! I’ve not heard the bass played as fast since Scott La Faro’s days – in fact at times you would think Tom’s playing bass-guitar.
Overall, a most spirited and enjoyable CD where Tom’s exhortations to “Just Play” were fully realised by all concerned !
Tom Kennedy – Just Play is available on CAPRI RECORDS  #74122-2
Dave Brownlow

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