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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16408 (and counting) posts since we started blogging 16 years ago. 288 of them this year alone and, so far, 85 this month (April 30).

From This Moment On ...

May

Fri 03: Dean Stockdale Trio @ The Old Library, Auckland Castle. 1:00pm.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jake Leg Jug Band @ Saltburn Community Hall. 7:30pm.
Fri 03: Front Porch Blues Band @ Cobalt Studios, Newcastle. 7:30pm.
Fri 03: Boys of Brass @ Hoochie Coochie, Newcastle. 8:30pm. £5.00.

Sat 04: Jeff Barnhart’s Mr Men @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Jeff Barnhart @ The Vault, Darlington. 6:00pm. Free. Barnstorming solo piano!
Sat 04: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm. Free (donations).
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: Sue Ferris Quintet plays Horace Silver @ Central Bar, Gateshead. 2:00pm.
Sun 05: Guido Spannocchi @ The Globe, Newcastle. 8:00pm.

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Calvert & the Old Fools @ Forum Music Centre, Darlington. 5:30-7:00pm. Free. Live recording session, all welcome.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Mark Robertson.
Tue 07: Suba Trio @ Riverside, Newcastle. 8:00pm (7:30pm last entry). £21.00. All standing gig.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Conor Emery: Jazz Trombone, Stage 3 Final Recital @ Music Studios, Assembly Lane, Newcastle University. 7:00pm. All welcome, the venue is located in the lane behind Blackwell’s, Percy St., Haymarket.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 09: Lewis Watson Quartet + Langdale Youth Jazz Ensemble @ Laurel’s Theatre, Whitley Bay. 8:00pm. £10.00.
Thu 09: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (sax); Neil Brodie (trumpet); Dave Archbold (keys); Ron Smith (bass).

Tuesday, August 13, 2013

CD Review: Tom Kennedy – Just Play

Tom Kennedy (bs); George Garzone (ten); Renee Rosnes (pno); Dave Weckl (dms) + Mike Stern, Lee Ritenour (gtr); John Allred (tmb); Steve Witts (ten).
(Review by Dave Brownlow.)
This album “Just Play” is an unashamedly swinging session led by bassist-extraordinaire Tom Kennedy where he and several friends, accomplished players all, enjoy work-outs on classic material.
The core group is a quartet comprising George Garzone on tenor, Renee Rosnes on piano, Dave Weckl, drums and the leader on acoustic bass, supplemented on separate tracks by Mike Stern on guitar, Tim Hagans on trumpet, Lee Ritenour on guitar, John Allred trombone, and Steve Wirts, tenor.
Sonny Rollins’ Airegin starts us off at a furious tempo with an unpredictable solo from Garzone and a horn-like one from Kennedy himself. Lee Ritenour is next featured on Bobby Timmons’ Moanin with soulful work from the whole quintet. The Night Has a Thousand Eyes follows, featuring Hagans, Allred and Wirts augmenting the quartet into  a nicely arranged performance in which Weckl’s drums “sparkle”. The tempo slows next for a Garzone rendition of Lee Morgan’s Ceora also featuring Rosnes airy, tasteful and flowing piano solo.
On his own One Liners, Mike Stern joins the group for this high energy swinger. Mike uses a distinctive, slightly distorted guitar tone which is reminiscent of Hiram Bullock’s work in Gil Evans’ freewheeling ensemble at The Sweet Basil .This cranks up the excitement level leading into a Rosnes solo which takes one in and out of “Tyner Country” with fleet-fingered right hand work over those memorable tri-tone left hand chords. Duke Ellington’s In a Sentimental Mood follows next at a lively tempo featuring the whole quartet.
Kennedy himself begins Bolivia with Cedar Walton’s familiar opening bass line and continues with a formidable solo showcasing his “monster chops. Renee Rosnes is herself featured next in a beautifully re-harmonised trio version of Brubeck’s In Your Own Sweet Way. Renee’s playing reminds one of Al Haig’s style, with graceful melodic ideas and well spaced-out phrases, combining with a lovely touch at the keyboard making the piano “sing”. Dave would have liked this track…..The album closes with a Rollins Trio-style (tenor/bass/drums) version of What Is This Thing Called Love which allows Garzone great freedom without any chordal support from piano or guitar. Here he goes “inside and outside” on these well-known changes, challenging drummer Weckl to some fiery exchanges en route.
As a bassist Tom Kennedy has the lot. A remarkable technique enables him to hold the rhythm section together whatever the tempo, and take solos which are horn-like in their construction. His tone is full and compelling, even cello-like when he ascends into the higher registers where his intonation is spot-on unlike some other famous players who have found it difficult to achieve ! I’ve not heard the bass played as fast since Scott La Faro’s days – in fact at times you would think Tom’s playing bass-guitar.
Overall, a most spirited and enjoyable CD where Tom’s exhortations to “Just Play” were fully realised by all concerned !
Tom Kennedy – Just Play is available on CAPRI RECORDS  #74122-2
Dave Brownlow

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