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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009-30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Sat 19: Sat 19: Paula Jackman’s Jazz Masters @ St Augustine’s Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Howlin’ Mat @ Prohibition Bar, Newcastle. 8:00pm. Country blues guitar & vocals. A ‘Jar on the Bar’ gig.

Sun 20: Kamasi Washington @ The Glasshouse, Gateshead. 7:30pm. POSTPONED! New date Saturday 5 April 2025.
Sun 20: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: Magpies of Swing @ The Globe, Newcastle. 8:00pm.

Mon 21: Gideon Tazelaar Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Gideon Tazelaar Quartet @ The Black Bull, Blaydon. 8:00pm.

Tue 22: Bywater Call @ The Cluny, Newcastle. 7:30pm (doors). Americana/blues/soul excellence.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 19, 2013

LP Review: Michael Garrick Sextet - Prelude to Heart is a Lotus.

Michael Garrick (pno/harpsichord/celeste); Ian Carr (tpt); Don Rendell (alt/sop/fl); Jim Phillips (fl/ten?); Coleridge Goode (bs); Trevor Tompkins (perc.) - 1968.
(Review by Lance)
Gearbox records are a class act presenting previously unheard recordings on quality vinyl. This has to be one of the most precious.
The Michael Garrick Sextet have long held a justifiably revered position in the annals of British jazz and this release goes a long way to explaining the reason why.
In 1970 Garrick recorded The Heart is a Lotus with Norma Winstone, it was released on Argo. Prelude to Heart is a Lotus, recorded two years earlier for a BBC radio broadcast, has never been available until now,
All compositions are by Garrick who sadly died in November 2011.
They are cracking pieces and show everyone off to advantage including the mystery tenor man on Sweet and Sugary Candy. He's not listed on the sleeve and it's not Don Rendell as the tenor can be heard riffing behind Rendell's soprano. I guess it's Jim Phillip although the album details only list him as being on flute.
Carr shines throughout, mainly muted, with suggestions of Miles. Goode does his Slam Stewart bowed vocal impression and the leader plays two fisted piano. Oh yes and Tompkins kicks it along like a contemporary George Wettling.
On Webster's Mood - Rendell is listed as playing alto although it does have a tenor sound. He switches to flute for Song by the Sea. Temple Dancer has some exotic wailing by the horns and suitably Asian sounds come from the rhythm section.
Little Girl is quite beautiful painting a rich tapestry of harmonic colour. Carr is at his most Milesian here. Rendell lyricises  on soprano over Goode's bass.
I'm not sure if something recorded in 1968 qualifies as my record of the year but if it does it's a front runner.
The analogue vinyl sound is far superior to the average CD and isn't it wonderful to be able to read album notes without a magnifying glass?
Lance.

1 comment :

Lance said...

It is reported that this LP, in the space of a few days, has become Gearbox's best selling album and a second pressing may be imminent.
Justifiably so.

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