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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 16: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Tuesday, August 13, 2013

CD Review: Tom Kennedy – Just Play

Tom Kennedy (bs); George Garzone (ten); Renee Rosnes (pno); Dave Weckl (dms) + Mike Stern, Lee Ritenour (gtr); John Allred (tmb); Steve Witts (ten).
(Review by Dave Brownlow.)
This album “Just Play” is an unashamedly swinging session led by bassist-extraordinaire Tom Kennedy where he and several friends, accomplished players all, enjoy work-outs on classic material.
The core group is a quartet comprising George Garzone on tenor, Renee Rosnes on piano, Dave Weckl, drums and the leader on acoustic bass, supplemented on separate tracks by Mike Stern on guitar, Tim Hagans on trumpet, Lee Ritenour on guitar, John Allred trombone, and Steve Wirts, tenor.
Sonny Rollins’ Airegin starts us off at a furious tempo with an unpredictable solo from Garzone and a horn-like one from Kennedy himself. Lee Ritenour is next featured on Bobby Timmons’ Moanin with soulful work from the whole quintet. The Night Has a Thousand Eyes follows, featuring Hagans, Allred and Wirts augmenting the quartet into  a nicely arranged performance in which Weckl’s drums “sparkle”. The tempo slows next for a Garzone rendition of Lee Morgan’s Ceora also featuring Rosnes airy, tasteful and flowing piano solo.
On his own One Liners, Mike Stern joins the group for this high energy swinger. Mike uses a distinctive, slightly distorted guitar tone which is reminiscent of Hiram Bullock’s work in Gil Evans’ freewheeling ensemble at The Sweet Basil .This cranks up the excitement level leading into a Rosnes solo which takes one in and out of “Tyner Country” with fleet-fingered right hand work over those memorable tri-tone left hand chords. Duke Ellington’s In a Sentimental Mood follows next at a lively tempo featuring the whole quartet.
Kennedy himself begins Bolivia with Cedar Walton’s familiar opening bass line and continues with a formidable solo showcasing his “monster chops. Renee Rosnes is herself featured next in a beautifully re-harmonised trio version of Brubeck’s In Your Own Sweet Way. Renee’s playing reminds one of Al Haig’s style, with graceful melodic ideas and well spaced-out phrases, combining with a lovely touch at the keyboard making the piano “sing”. Dave would have liked this track…..The album closes with a Rollins Trio-style (tenor/bass/drums) version of What Is This Thing Called Love which allows Garzone great freedom without any chordal support from piano or guitar. Here he goes “inside and outside” on these well-known changes, challenging drummer Weckl to some fiery exchanges en route.
As a bassist Tom Kennedy has the lot. A remarkable technique enables him to hold the rhythm section together whatever the tempo, and take solos which are horn-like in their construction. His tone is full and compelling, even cello-like when he ascends into the higher registers where his intonation is spot-on unlike some other famous players who have found it difficult to achieve ! I’ve not heard the bass played as fast since Scott La Faro’s days – in fact at times you would think Tom’s playing bass-guitar.
Overall, a most spirited and enjoyable CD where Tom’s exhortations to “Just Play” were fully realised by all concerned !
Tom Kennedy – Just Play is available on CAPRI RECORDS  #74122-2
Dave Brownlow

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