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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Tuesday, August 13, 2013

CD Review: Tom Kennedy – Just Play

Tom Kennedy (bs); George Garzone (ten); Renee Rosnes (pno); Dave Weckl (dms) + Mike Stern, Lee Ritenour (gtr); John Allred (tmb); Steve Witts (ten).
(Review by Dave Brownlow.)
This album “Just Play” is an unashamedly swinging session led by bassist-extraordinaire Tom Kennedy where he and several friends, accomplished players all, enjoy work-outs on classic material.
The core group is a quartet comprising George Garzone on tenor, Renee Rosnes on piano, Dave Weckl, drums and the leader on acoustic bass, supplemented on separate tracks by Mike Stern on guitar, Tim Hagans on trumpet, Lee Ritenour on guitar, John Allred trombone, and Steve Wirts, tenor.
Sonny Rollins’ Airegin starts us off at a furious tempo with an unpredictable solo from Garzone and a horn-like one from Kennedy himself. Lee Ritenour is next featured on Bobby Timmons’ Moanin with soulful work from the whole quintet. The Night Has a Thousand Eyes follows, featuring Hagans, Allred and Wirts augmenting the quartet into  a nicely arranged performance in which Weckl’s drums “sparkle”. The tempo slows next for a Garzone rendition of Lee Morgan’s Ceora also featuring Rosnes airy, tasteful and flowing piano solo.
On his own One Liners, Mike Stern joins the group for this high energy swinger. Mike uses a distinctive, slightly distorted guitar tone which is reminiscent of Hiram Bullock’s work in Gil Evans’ freewheeling ensemble at The Sweet Basil .This cranks up the excitement level leading into a Rosnes solo which takes one in and out of “Tyner Country” with fleet-fingered right hand work over those memorable tri-tone left hand chords. Duke Ellington’s In a Sentimental Mood follows next at a lively tempo featuring the whole quartet.
Kennedy himself begins Bolivia with Cedar Walton’s familiar opening bass line and continues with a formidable solo showcasing his “monster chops. Renee Rosnes is herself featured next in a beautifully re-harmonised trio version of Brubeck’s In Your Own Sweet Way. Renee’s playing reminds one of Al Haig’s style, with graceful melodic ideas and well spaced-out phrases, combining with a lovely touch at the keyboard making the piano “sing”. Dave would have liked this track…..The album closes with a Rollins Trio-style (tenor/bass/drums) version of What Is This Thing Called Love which allows Garzone great freedom without any chordal support from piano or guitar. Here he goes “inside and outside” on these well-known changes, challenging drummer Weckl to some fiery exchanges en route.
As a bassist Tom Kennedy has the lot. A remarkable technique enables him to hold the rhythm section together whatever the tempo, and take solos which are horn-like in their construction. His tone is full and compelling, even cello-like when he ascends into the higher registers where his intonation is spot-on unlike some other famous players who have found it difficult to achieve ! I’ve not heard the bass played as fast since Scott La Faro’s days – in fact at times you would think Tom’s playing bass-guitar.
Overall, a most spirited and enjoyable CD where Tom’s exhortations to “Just Play” were fully realised by all concerned !
Tom Kennedy – Just Play is available on CAPRI RECORDS  #74122-2
Dave Brownlow

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