Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, August 29, 2013

Tina May & Nikki Iles “Raising the Bar” @ Highgate Jazz & Blues Festival. August 25

Tina May (vcl); Nikki Iles (pno) + Brandon Allen (ten)
(Review by Flore - pictured with Tina left and Nikki right)
The musical pairing of Tina and Nikki was inspired by the angels but, here on Earth, the invitation came from Sheffield Jazz  who invited Tina to sing with the Nikki Iles Trio in October 1995.
The rest is history.
Lauderdale House’s  Long Gallery provided an intimate setting for what turned out to be a very enjoyable evening.
The first set offered a mélange of variety.
Make Someone Happy – seamless changes of tempo. Sun Shower (Kenny Barron) – call and response passages exquisitely defined. Change of Sky (Springer/Harburg) – title track from their first CD together only one word for it – exquisite!
The Touch of Your Lips - a sensitive handling that lead to Brandon Allen, who had been listening attentively,  dashing to join them waving his tenor sax with much enthusiasm before adding his own brand of spice to the brew of … Body and Soul – further  flavours from Tina with a sprinkling of scat.
Daahoud – harnessing the energy from the previous piece to lift us from our seats and ready to cool down.
Suitably cooled, the second set began with Tina’s original composition … Bop Till You Drop. Another seamless change of mood …‘Round Midnight.
A shake of the kaleidoscope and we were treated to a tribute to Norma Winstone ... Ladies in Mercedes. Speak Low (Kurt Weill) – signaled more mood changes. By this time I was trying to absorb a cornucopia of sounds and rhythms to hear Tina after an introduction to draw everything together for an  A capella version of  Come Sunday from Ellington’s Black Brown and Beige Suite which segued into the final Take the A Train. This sent the audience chattering and grinning happily down Highgate Hill to get the A Train at Archway tube station.
There were other items in the programme that I've omitted for the sake of conciseness but it was a great evening.
Flore.

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