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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Sun 15 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 15: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne, nr. Newton Aycliffe. 1:00pm.
Sun 15: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 15: James Kitchman & Bruno Heinen @ Hexham Abbey. 7:30pm. £12.50. (ticket inc. admission to Abbie Finn Trio concert). Hexham Jazz Festival.
Sun 15: Trish Clowes’ My Iris @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 15: Abbie Finn Trio @ Hexham Abbey. 9:00pm. (£ see above). Hexham Jazz Festival.

Mon 16: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 16: Swing Manouche @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 17: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tuesday, August 20, 2013

CD Review: Jacqui Dankworth - Live To Love

Jacqui Dankworth (vocals); Charlie Wood (Fender Rhodes, piano, organ); Chris Allard (acc/elec guitars,); Geoff Gascoyne (elec/acc bass, synth programming, celeste); Ben Castle (sop/ten sax); Mike Smith, Ralph Salmins (drums); Paul Clarvis (percussion) The Brodsky Quartet: Daniel Rowland, Ian Belton(violins); Paul Cassidy (viola);  Jacqueline Thomas (cello).
(Review by Ann Alex)
I agree with the quote from the Guardian critic, who says ‘she exhibits a subtle control of dynamics and a voluptuous tonal richness that seems to make almost any material sound special.’ This is a fine album of love songs, but love in the widest sense, four standards and ten original songs, not wholly jazz but with strong jazz influences.  I was interested to note that there is a slight similarity of tone reminiscent of her mother’s voice (Cleo Lane) and just a hint of her mother’s looks, but Ms Dankworth is very much her own person as a singer.
The four standards are Wayne Shorter’s Palladium, a catchy, jagged tune which seems to go round in circles; I Took Your Hand (Pieranunzi/Feather) all about love at first sight; a gentle version of Someday We’ll All Be Free (Hathaway/Howard); and Johnny Mercer’s Something’s Gotta Give, done so skilfully with just a tricky acoustic bass and voice.  How on earth she kept to the tune is a mystery to me.
The originals include an African-sounding Malala with lots of band soloing, clapping and drumming; All Is Quiet, an anti-slavery song about a lonely slave girl who is symbolised by the melancholy tenor sax; this is wisely followed by an upbeat song in praise of love with a happy keys solo; and we have the entertaining reggae influenced theme from Tomorrow’s World.  No readers, I hadn’t realised that this tune was written by John Dankworth, and Jacqui has added amusing lyrics about quantum mechanics, remember that from school? The Brodsky Quartet add much to tracks such as All Is Quiet, blending their sound well with the more conventional jazz instruments and not standing out as something ‘different’.  And with seven other original tracks, the album makes for good listening.
Jacqui Dankworth - Live To Love is due  for release on September 30 on Specific Jazz There is also a Live To Love tour beginning on October 2, but the nearest it comes to Tyneside is York on October 9.  More info.
Ann Alex.

1 comment :

Anonymous said...

Congrats on being the only review I've come across that gave the musicians involved. It answered my question. The words synth programming acted like the warning skull and cross bone on a packet of poison.

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