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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Sunday, August 04, 2013

Peter Volpe on Peter Fielding.

I've just been checking out your site and was fascinated to see the poster (supplied by Colin Aitchison) and thread on my grandfather Peter Fielding and his band. Link to previous post. I don't have too many direct memories of him other than at Christmas times as he was working away from Newcastle by the time I was born but I do remember regularly receiving birthday cards from exotic places when he was the bandleader on the Canberra and the QE2.
Over the years many people have spoken to me of his days at the Oxford Galleries however, invariably with warmth and nostalgia. These evocations have not been confined to the north-east; in my student days I met a saxophonist in a pub in Richmond (Surrey) who had played in his band for twenty years and knew my grandmother and all her six children, including my father, Tony. On my way to a Latin gig in Paris one evening I also heard a fascinating radio 4 interview  with the trail-blazing female saxophonist Kathy Stobart who related that during the war Peter Fielding gave her her first real gig - at the Oxford.
My father played the piano well in his youth, though he never worked with my grandfather. My uncle Peter played the trombone in the band. After suffering a heart attack he moved onto Bass and Piano. He produced the St. Jacome Trumpet method from my grandmother's kitchen cupboard and gave it to me when I took up the trumpet. I still have it in my work studio downstairs. Mike, another uncle, was a drummer and continued leading a band in the north east under his own name (Mike Fielding). I did a couple of deps in his band round the time I played in the Newcastle Big Band. You may well have come across him yourself at some time.
My grandmother Cath was a dancer in her young days and met my grandfather when he was the MD on a review in which she worked. I met my own wife when she was a dancer and singer in a show I worked on here in France. Who says history never repeats itself?!
Keep up the good work on the web site.
Peter Volpe. (Ed. photo of Peter Volpe taken from Peter's MySpace site.)
P.S. When you worked in Windows you were responsible for the choice of the first Jazz album I ever bought. It was a Lee Morgan record with Art Blakey. The second one you advised me to buy was by Clifford Brown.
Good choices!
Thanks.

3 comments :

Mal Maddock (on F/b) said...

I worked with Mike Fielding when I first started playing..... A great drummer & a gentleman..... I learned so much from him !

Lance said...

Pleased you took my advice Peter - it soon showed in your playing!
I sold Sting bass strings, Paul Booth his first tenor and banjo strings to Brian Bennett.
Oh and Malcolm, I recall when you used to come into the shop with your dad and kick seven shades out of, was it a Lowery, or a Rhodes or a Roland? can't remember but you must have been all of 14 going on 40!
Perhaps I should be nicknamed "The Kingmaker"!

Tom Henderson (on F/b) said...

I'm sure my pianist friend Eddie Farrow worked for Peter Fielding in the early days at the Oxford Galleries.

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