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Bebop Spoken There

Kenny Garrett: "I think about the past and the elders and connecting everything together, and it being as a whole, or as one." - (DownBeat, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14743 (and counting) posts since we started blogging 13 years ago. 1362 of them this year alone and, so far, 78 this month (Nov. 24).

From This Moment On ...

November

Sun 28 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 28: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 28: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 28: Alex Ord & Jude Murphy @ St Edmund's Church, Sedgefield. 3:00pm. Ord (piano), Murphy (bass).
Sun 28: Emma Johnson's Gravy Boat @ The Globe, Newcastle. 8:00pm.

Mon 29: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

December

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 1st night.
Wed 01: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Tom Ollendorff @ Café Cathedral, Owengate, Durham. 8:00pm. £5.00. A Durham Jazz Soc. event.

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Sunday, August 04, 2013

Peter Volpe on Peter Fielding.

I've just been checking out your site and was fascinated to see the poster (supplied by Colin Aitchison) and thread on my grandfather Peter Fielding and his band. Link to previous post. I don't have too many direct memories of him other than at Christmas times as he was working away from Newcastle by the time I was born but I do remember regularly receiving birthday cards from exotic places when he was the bandleader on the Canberra and the QE2.
Over the years many people have spoken to me of his days at the Oxford Galleries however, invariably with warmth and nostalgia. These evocations have not been confined to the north-east; in my student days I met a saxophonist in a pub in Richmond (Surrey) who had played in his band for twenty years and knew my grandmother and all her six children, including my father, Tony. On my way to a Latin gig in Paris one evening I also heard a fascinating radio 4 interview  with the trail-blazing female saxophonist Kathy Stobart who related that during the war Peter Fielding gave her her first real gig - at the Oxford.
My father played the piano well in his youth, though he never worked with my grandfather. My uncle Peter played the trombone in the band. After suffering a heart attack he moved onto Bass and Piano. He produced the St. Jacome Trumpet method from my grandmother's kitchen cupboard and gave it to me when I took up the trumpet. I still have it in my work studio downstairs. Mike, another uncle, was a drummer and continued leading a band in the north east under his own name (Mike Fielding). I did a couple of deps in his band round the time I played in the Newcastle Big Band. You may well have come across him yourself at some time.
My grandmother Cath was a dancer in her young days and met my grandfather when he was the MD on a review in which she worked. I met my own wife when she was a dancer and singer in a show I worked on here in France. Who says history never repeats itself?!
Keep up the good work on the web site.
Peter Volpe. (Ed. photo of Peter Volpe taken from Peter's MySpace site.)
P.S. When you worked in Windows you were responsible for the choice of the first Jazz album I ever bought. It was a Lee Morgan record with Art Blakey. The second one you advised me to buy was by Clifford Brown.
Good choices!
Thanks.

3 comments :

Mal Maddock (on F/b) said...

I worked with Mike Fielding when I first started playing..... A great drummer & a gentleman..... I learned so much from him !

Lance said...

Pleased you took my advice Peter - it soon showed in your playing!
I sold Sting bass strings, Paul Booth his first tenor and banjo strings to Brian Bennett.
Oh and Malcolm, I recall when you used to come into the shop with your dad and kick seven shades out of, was it a Lowery, or a Rhodes or a Roland? can't remember but you must have been all of 14 going on 40!
Perhaps I should be nicknamed "The Kingmaker"!

Tom Henderson (on F/b) said...

I'm sure my pianist friend Eddie Farrow worked for Peter Fielding in the early days at the Oxford Galleries.

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